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...hospitalization insurance. Here I'm sick so often, I can barely work. I can't help it, Mama." By reading out-loud these excerpts from The Woman Warrior, and from her other various books, Kingston was able to visibly convey her own feelings with a depth of emotion and realism that could not be garnered from the printed page...

Author: By Elaine Yu, | Title: MAXINE HONG KINGSTON | 10/17/1996 | See Source »

...interact under oppressive and crowded conditions. Those students who choose to work out at Wellbridge obviously have no interest in anthropology. They care little about the fascinating cave drawings that have been discovered in Southern France. These pictures surprise us with their bold use of line, their detail and realism. The curious among us will wonder, Who were these ancient people? Where did they come from? How did they live? Why, 30,000 years ago, did they suddnely disappear, leaving behind five or six Nautilus machines in the basement of the Malkin Athletic Center cave...

Author: NO WRITER ATTRIBUTED | Title: MAC Equipment Seriously Outdated | 10/9/1996 | See Source »

Last spring, after a student protest in Moral Reasoning 13, "Realism and Moralism," taught by Kenan Professor of Government Harvey C. Mansfield '53, regarding Mansfield's criticisms of President Neil Rudenstine's "Diversity Report," The Crimson ran an editorial condemning the protest for invading the sanctity of the classroom. Letters from the involved black students flooded into the paper accusing The Crimson of misplacing their criticisms...

Author: By Shawn Zeller, | Title: READER REPRESENTATIVE | 9/27/1996 | See Source »

Pictures, sound and full-motion video included in these presentations provide added realism and detail, and the flexible format of a computer-based case allows it to be a more accurate simulation, allowing students to see the results of their decisions...

Author: By Andrew A. Green, | Title: Clark Leads MBA Program Overhaul | 9/20/1996 | See Source »

...familial reasons (my father, a self-educated individual had such an abiding love for silent film that my childhood was spent in front of 16-millimeter films) it seemed propitious to launch a course on French cinema. It began with an enrollment of 120, soon split into two sections ("realism" and "new wave"), and then ramified into seminar-topics ("auteur" theory, structural cinema, cinema of cruelty...). The course became something of a machine, what Gilles Deleuze would have called a "spiritual automaton" that engulfed its students and teachers. It quickly happened that for practical reasons my department asked...

Author: By Thomas C. Conley, | Title: From the 'U' to the 'H' | 9/20/1996 | See Source »

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