Word: realisms
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...made some terrific indie movies about isolated youths (George Washington, Snow Angels) and probably took this job cause he wanted to make a movie more than a handful of people would see - mixes all the ingredients to create a comedy that brings a nicely deflating note of realism to action-film mayhem, as well as being one of the few drug movies you don't have to be high to enjoy...
Such moves signal the latest triumph of realism over ideology--and a victory for Rice and her diplomatic team over the neoconservatives led by Vice President Dick Cheney. Since Rice took the helm at State in 2005, she has steadily consolidated her authority over foreign policy. If her clout isn't absolute, it is approaching the veto-proof swat that Cheney enjoyed as the secret vicar of national security...
...which the preeminent exemplar was the Bali-based Rudolf Bonnet. The pastoral depictions of Indonesian village life produced by Bonnet and others were dismissed by Sudjojono as so much shallow Orientalism. "For my people, reality is the reality of rice," he wrote in 1950, arguing for a muscular realism. One of the painters who was moved by Sudjojono's words was Hendra Gunawan, and in the early 1950s the admiring Hendra (who is better known simply by his first name) joined Sudjojono in the cultural arm of the PKI, the Institute of People's Culture, referred to by its Indonesian...
...artistic journey of Indonesia's great painter, Sindoutomo Sudjojono (1913-1986), was as complex as his favorite subject - Indonesia's independence and development. During his early career, Sudjojono eschewed the prevailing style of painting because its naturalistic, European conventions smacked to him of colonialism. Instead, he took up socialist realism, and put his brush at the service of the country's communist party. By the 1960s, he had switched from propaganda to Pop Art. Toward the end of his life - disenchanted by Suharto's right-wing regime and shunned by leftist artists who felt he had betrayed them - Sudjojono turned...
...under Suharto, however, that Sudjojono began to blossom as an artist. Unencumbered by the constraints of socialist realism, he began to experiment with Pop Art and Expressionistic techniques. In a time of dictatorship, it was perhaps just as well. "The Suharto era made it impossible for political thought to be rendered in art," says Ahmad Mashadi, head of the Museum of the National University of Singapore Centre for the Arts. In fact, by quitting LEKRA early, Sudjojono escaped the punishment that Suharto was to mete out to leftist artists, and became the most prominent figure of what Kwok calls...