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There is no continuity to Godard's parable. There is no consistency in his plot. The characters are blackboard stick figures; they provoke no sympathies; the climax offers no resolution. There is not the slightest degree of realism. There is stylization and fragmentation and polemic...

Author: By Michael Levenson, | Title: Before the Revolution | 4/19/1973 | See Source »

...Godard and the Dziga-Vertovians, that is not permitted. Realism, they insist, is a surrender to reality. It makes criticism impossible; it actually defuses political emotion. It enforces passivity on the spectator who becomes a witness to the class struggle instead of a participant...

Author: By Michael Levenson, | Title: Before the Revolution | 4/19/1973 | See Source »

Gustave Flaubert, the master of style, the father of realism, used to tweak his mighty mustaches and quiver his 19th century, man-of-letters jowls while he told interviewers, "Madame Bovary, c'est moi." Indeed she was, and this book documents...

Author: /time Magazine | Title: Books: Before Bovary | 4/16/1973 | See Source »

Hesse, even in his latter days of so-called realism and classicism, refused to let go entirely of his fruitless, banal recherche du temps perdu. The last piece included in this volume, "The Interrupted Class," drifts at times into the same melancholy desire for the carefree, innocent days of youth. But here some resolution of the conflict between innocence and experience finally appears: Hesse declares innocent youth a sham. While it's no transcendence into Blake's realm of "organized innocence," as one might expect from the spiritualist Hesse, it is a sign of some growth, however late...

Author: By Gregory F. Lawless, | Title: Kid's Stuff | 3/15/1973 | See Source »

...Constitutional prerogatives as an individual. When I got out, I discovered that the Administration had made many of the changes I was concerned about: the movement from the atmosphere of the Crusades to that of the Congress of Vienna, from religious fanaticism to Metternich." In keeping with the sober realism of many of the P.O.W.s, he makes no claims for himself beyond those of common sense. "I do not particularly care for retroactive heroism...

Author: /time Magazine | Title: P.O.W.S: The Saintly and the Sadists | 3/12/1973 | See Source »

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