Word: realisms
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...ceiling. Most remarkable of all is Gursky's Untitled, 1993, in which the vaguely modulated picture surface resolves into an expanse of well-tread, nubby carpet. Austere and precisely executed like all his other photographs, Untitled, 1993 transforms the humdrum by deeming it worthy of attention. This is astounding realism, both representational and abstract, documentary and mythical...
Back when the written word was the predominant news medium, people would tell you not to believe everything you read. Then came the harsh realism of TV news, allowing us to witness wars and congressional bickering up close. But with the powers of new media come new dangers; and never has that been more evident than in the spat brewing between NBC and CBS. The Peacock network is fuming over the alteration of video images of New York City in several CBS news programs in which CBS logos are digitally superimposed on everything from horse-drawn carriages to billboards...
...Modernism. "I do not collect American paintings because they are American," he said, "but because they are good and often great." It was a declaration that few U.S. collectors, haunted as they were by the specter of provincialism, would have made. He began with those two heroes of realism, Thomas Eakins and Winslow Homer. But Phillips' taste was more for the visionary, especially for the dark, light-mottled sea pieces of Albert Pinkham Ryder, and for the younger painters they inspired--Arthur Dove, Marsden Hartley, John Marin and others. He was convinced that the defining characteristics of American art were...
Velazquez's achievement was unique in the Spain of his day. He soon grew out of painting religious pictures. Instead he created a secular and courtly art--mainly portraits--in which a meticulous realism was conjoined with an extraordinary sense of the mechanics of painting. Velazquez gives you the physical marks of the brush, declares in advance that they are special effects, and yet defies you to shake free from their illusion...
...piece. As Shelley Levene, an aging seller desperate for a comeback, Paul Monteleoni ('00) continually provides the play with energy and freshness. If ever this humorous vitality turns unwieldy, Monteleoni always manages to rein himself back in with a sudden change of tone or an expression that reestablishes realism in the scene. Although saddled with one of the play's less developed characters, Ray Courtney ('01) as Baylen displays comfort and wry humor in his role...