Word: realist
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...Rise up and abandon the creeping meatball!" goes the rallying cry, and it has brought to the Yippie standard such underground gurus and goblins as Timothy Leary, Allen Ginsberg, Realist Editor Paul Krassner and Jerry Rubin, a key organizer of the Pentagon March. Hard-core Yippies may number as few as 400 nationwide, but Fug Sanders reckons that the total following may now have reached...
...Lawrence has long been admired as both a poet and painter. As a novelist, he was a passionate realist and an impassioned crusader for plain talk about sex. As a playwright, however, Lawrence has been ignored; his eight plays were poorly received on the rare occasions when they were performed during his lifetime, and they were first published in a collected edition only three years ago. Their new eminence is the result of a brilliant repertory pro duction of three of them at London's Royal Court Theater by a relatively un known director, Peter Gill...
...love means to give, and notwithstanding Wesker's pedestrian imagery, the play rates a Q.E.D. on its major proposition. The fact that it was written by a kitchen-sink realist like Wesker is added evidence that the generation of British playwrights that began by looking back in social anger is now looking forward in private anguish...
Algiers is in the great tradition of the first neo-realist masterpieces, Rosselini's Open City and Visconti's La Terra Trema. But where those two films dealt entirely with killing and oppression of the weak by Fascists and reactionary capitalists, the killing of innocent people in Algiers is committed mostly by the NLF, Pontecorvo's heroes. In accepting the slaughter of hundreds of citizens, guilty only in their complacent acceptance of a derelict social structure, Pontecorvo emphasizes the validity of necessary social upheaval, regardless of its price. Each death becomes not a crime of the NLF but the tragic...
...other characters say several times: "There's something about the girl." All the rest is left to the actress who plays Joan. She must make the audience believe in the other characters' phenomenal belief in her. This, Diana Sands fails to do. She stresses Joan the outward realist and scants Joan the inner mystic. Her voice can be heard, and a trifle too stridently, but her "voices" are mute...