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Both men, the first an uncompromising romantic and the second a thoroughgoing realist, fortunately had simple tastes to match their small incomes. Ryder used to compare himself to an inchworm revolving on the end of a twig. The fact that he was able to take his time resulted in some of the richest painting ever done. Once, after 18 years of work on a picture, he said hopefully: "I think the sky is getting interesting." Eakins made only $15,000 (the price of a single Eakins canvas today) in all his years of painting, but he did have the appreciation...

Author: /time Magazine | Title: Art: THE MIDDLE YEARS | 5/3/1954 | See Source »

...might be defined as picturing nothing at all with a minimum of conscious effort-it makes art a game. Yet the thousands of contemporary artists who paint like Motherwell are a solemn lot on the whole, and as dedicated to their lonely games of self-expression as any academic realist is to copying things...

Author: /time Magazine | Title: Art: CONTEMPORARY CROSS SECTION | 2/8/1954 | See Source »

Historian Wheeler-Bennett ends his book in a race with the headlines. As a realist, he approves the rearmament of Western Germany; as a realist, he also has qualms about the lessons of the past. Historian Bennett's hope, and the hope of the rest of the free world, is that Germans also can learn the lessons of the past...

Author: /time Magazine | Title: Books: Ghosts in Field-Grey | 12/28/1953 | See Source »

Evans broke the old man's fanatically artistic spell by taking clear, cold, head-on pictures of ordinary people and things. "After Stieglitz's real work was done," says Realist Evans, "he became a very arty old man and a Wagnerian man if there ever was one-a great old fiddler and lace-maker." Evans' realistic approach has inspired a generation of photographers, among them Margaret Bourke-White, who first made her mark photographing industry, and Dorothea Lange, who photographed California's migratory pea-pickers to show the effects of the Depression. Echoing the early Weegee...

Author: /time Magazine | Title: Art: Two Billion Clicks | 11/2/1953 | See Source »

Somehow Dashiel Hammett picked up the reputation of an ultra-realist. He's far from that. The very picture of a golden falcon, encrusted with jewels, sought by a group of incredible characters who roam the world searching for its is fairy tale material. The realism lies in Hammett's dialogue, his insistence upon accurate details. Hammett's detectives were never brilliant thinkers; Sam Spade is a tough monkey with a head as soft as the next guy's when it meets a flying blackjack or a loaded whiskey. Hammett's policemen aren't nice fellows, there is little romance...

Author: NO WRITER ATTRIBUTED | Title: The Maltese Falcon | 9/30/1953 | See Source »

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