Word: realist
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...doing hysteria in a narrow range, and Buscemi scores as a sick goofus whom one witness IDs as "funny-lookin'--more than most people even." There's enough gore to make this a Mystery Violence Theater. After some superb mannerist films, the Coens are back in the deadpan realist territory of Blood Simple, but without the cinematic elan. Fargo is all attitude and low aptitude. Its function is to italicize the Coens' giddy contempt toward people who talk and think Minnesotan. Which is, y'know, kind of a bad deal...
MOVIES . . . FARGO: After some superb mannerist films, filmakers Joel and Ethan Coen have returned to deadpan realist territory in their new film their native Minnesota. But the derisive new true-crime comedy should really be subtitled 'How to Laugh at People Who Talk Minnesotan,' says TIME's Richard Corliss. The film -- which has not much at all to do with Fargo, North Dakota -- is about the difficulty real folks have pulling off crimes that always go smoothly in fiction. Jerry Lundegaard (William H. Macy) needs a lot of cash, so he hires two thugs (Steve Buscemi and Peter Stormare...
...Nebraska and had moved East and changed his name to escape the judge and jury. Young Henri (pronounced Hen-rye) became an artist through study at the Pennsylvania Academy of the Fine Arts in Philadelphia, which in the 1880s was still what its chief teacher, the great realist Thomas Eakins, had made it: the best place in America to learn direct, factual realist painting, based on incessant drawing of the naked body...
...terrific nose for a story. One of the biggest in New York circa 1909 was illicit prizefighting, and Bellows made intensely vivid and memorable images of it. Ashcan painting, in its description of the Darwinian world of fists evoked by American realist writers like Frank Norris and Jack London, lagged behind literature by 10 years or more, but its attachment to images of clash and struggle aligned it squarely with the American cultural ideology of the day--Theodore Roosevelt's praise of the strenuous life...
...currently teaching French 268: "The Dreyfus Affair in Literature in Film, 1898-1978." This spring, Suleiman will teach French 132b: "20th-Century French Fiction II: The Experimental Mode," which will include works of fiction by authors who have rejected the realist mode...