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...plaster molds, for instance, are the direct ancestors of Duane Hanson's ultrarealist wax people), his connections to Pop look tenuous indeed. In this changed context, it is the figures and their mood, rather than their surrounding artifacts, that one notices first; and they connect to an older realist tradition, far from the self-consciousness and media-play of Pop. They resemble, as the late Mark Rothko once said, "walk-in Hoppers," sculptural equivalents to the world of that American master, with its nocturnal bars and waiting figures. Segal's tableaux have a flavor...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

Perhaps only a sophist might be tempted to tie the spread of air conditioning to the coincidentally rising divorce rate, but every attentive realist must have noticed that even a little window unit can instigate domestic tension and chronic bickering between couples composed of one who likes it on all the time and another who does not. In fact, perhaps surprisingly, not everybody likes air conditioning. The necessarily sealed rooms or buildings make some feel claustrophobic, cut off from the real world. The rush, whir and clatter of cooling units annoys others. There are even a few eccentrics who object...

Author: /time Magazine | Title: Time Essay: The Great American Cooling Machine | 8/13/1979 | See Source »

With hunger in his eye, an abstract painter goes realist...

Author: /time Magazine | Title: Art: Arikha's Elliptical Intensity | 7/30/1979 | See Source »

...main cultural facts of the '70s was an upsurge, in the U.S. and Europe alike, of realist painting. It came in all modes, from gaudy airbrush renderings of photorealist motorcycles to inflated history painting, and in all emotional temperatures, from gelid beaux-arts nudes to the expressionist rant of political muralists in East Berlin. Much of it was instant art, and instantly disposable. But a striking deposit of achievement remains, and one of its components is the work of the Israeli painter Avigdor Arikha. A scrub-haired, passionately erudite man of 50, Arikha is best known in Paris, where...

Author: /time Magazine | Title: Art: Arikha's Elliptical Intensity | 7/30/1979 | See Source »

...both the transgression and the inclusion of doubt." Transgression, because any effort to depict something is a shot at certainty; inclusion, because the central paradox of realism is that representation can never be completed. There is always a level of detail below which paint cannot go. What makes the realist painting is not complete illusion, but intensity; and there is no in tensity without rules, limits and artifice...

Author: /time Magazine | Title: Art: Arikha's Elliptical Intensity | 7/30/1979 | See Source »

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