Word: realistes
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Dates: during 1970-1979
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...Manhattan's art world. Discovering-or inventing-a new Corn God every year is a basic market strategy, since art consumers, strung out on the disintegrating pluralism of American art in the early '70s, constantly need fresh inspiration. The newest beneficiary and victim of this method is realist...
...more than his style, it is Shahn's choice of subject and statement that cut the same in both painting and photo; a social realist, influenced by the Cubists, he captures different planar levels in "Roadside Inns," "Destitute Ozark Residents," and "Cotton Pickers, Pulaski County, Arkansas." The young girls picking cotton carry their long white bags like wedding trains falling in curves down the foreground of the photo. These cotton workers are as much tied to their jobs as the black woman in "Relief Check, Scotts Run, West Virginia" is tied to a life on welfare. Leaning out the window...
...this tension between commonplace detail and sublime staging. Caught between the transfiguring light and the gnawing darkness, his figures acquired a mysterious, haunting irrationality. Sometimes the flow of light actually contradicts the muscles and skin that Caravaggio studied with such care. The final effect is not, for this reason, "realist" at all, but the impact remains. It is the violent blackness of Macbeth...
...strange mixture of Americana. Speaking in a slow, relaxed voice which retains a Dakota twang, George McGovern reflects a traditional homespun, hearthside American culture. At the same time, he is a hard realist about big business and military involvement abroad...
...Hopper took off for Paris, returning twice in the next several years. Typically, he took no part in the Parisian whirl, where Picasso and Braque were busy trying to revolutionize painting. He remained a light-struck realist to the end of his days. His early work shows, however, that the shapes and, above all, the light of Paris, as well as the Impressionist ambience, did much for his eye and his palette. Back in the U.S., the attractive blur of Impressionism vanishes from his oils. The light flattens, shadows are sharper and more sculptural, forms grow increasingly solid and defined...