Word: realistes
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...strange mixture of Americana. Speaking in a slow, relaxed voice which retains a Dakota twang, George McGovern reflects a traditional homespun, hearthside American culture. At the same time, he is a hard realist about big business and military involvement abroad...
...Hopper took off for Paris, returning twice in the next several years. Typically, he took no part in the Parisian whirl, where Picasso and Braque were busy trying to revolutionize painting. He remained a light-struck realist to the end of his days. His early work shows, however, that the shapes and, above all, the light of Paris, as well as the Impressionist ambience, did much for his eye and his palette. Back in the U.S., the attractive blur of Impressionism vanishes from his oils. The light flattens, shadows are sharper and more sculptural, forms grow increasingly solid and defined...
LIKE all Irish politicians, John Lynch has to contend with the ghosts of the past. Unlike many Irish politicians, he neither invokes nor exploits them. "I am not affected by any past bitternesses," he says. At 54, Lynch is a realist whose election five years ago marked the end of the era of charismatic strongmen with revolutionary pasts-William Cosgrave, Eamon de Valera, Sean Lemass. Born the year after the 1916 Easter Rising, he is the Irish Republic's first Prime Minister, or Taoiseach (pronounced Tea-shock), of the post-civil-war generation...
...Senators (most of them Midwestern Republicans) sought unavailingly to defeat such undertakings as the Truman Doctrine, the Marshall Plan and NATO. But for all practical purposes, the doctrine died with the Japanese attack on Pearl Harbor. Senator Arthur Vandenberg wrote in his diary: "That day ended isolationism for any realist." The postwar efforts to keep the flame alive were merely, as Arthur Schlesinger Jr. put it, "the last convulsive outbreak of an old nostalgia...
...Life (shot off TV via video tape and transferred to film), represents the Nixon-Paramount form of exploitation within Available Light. Speaking to the point of images questioned, Anthony Quian (Gauguin!) answers Kirk Douglas (Van Gogh), "I paint it flat, 'cause I see it that way," the Hollywood realist-humanist rationale for manipulation. For the more conscious elements of image-makers, the rationale is of course more problematic. "I don't know how to see you," Tom says to Amy, manipulating...