Word: realistes
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...socialist pacifist"), but is looking forward even more eagerly to getting Teddy on TV. "I just long to have him alone in debate. I would like it to be just the two of us and a moderator. Oh, how I would like that." But Lodge is also a realist. Says he: "I'm the underdog now at no better than 6 to 4." Vows Grindle: "We'll campaign 16 hours a day and pray eight...
...this only whetted interest. In the absence of forthright denials, the story-and the rumors-grew. Last March, The Realist, a shabby Greenwich Village periodical, published the fact of the Blauvelt genealogical entry as an "expose." So, a bit later, did Birmingham's antiSemitic, anti-Negro circular, The Thunderbolt ("The White Man's Viewpoint"). So, in June, did The Winrod Letter, a oamphlet put out by the Rev. Gordon Winrod of Little Rock. Racist organizations in the South and crackpot groups everywhere photostated these pieces and sent them out as junk mail by the scores of thousands...
Davies was an odd choice for commander in chief in the modernists' battle against the academics. Though Davies was friendly with the original members of the realist Ashcan School,*his own paintings pictured a vernal never-never land of cavorting nymphs and nice little girls, a tearless world where Purity and Joy joined in allegorical dances and virgins herded unicorns beside an unruffled sea. His work had become vastly popular with the public, and Davies' support for the Armory Show was proportionately influential. He rallied a group of wealthy, art-minded New Yorkers (including his own patronesses. Gertrude...
...were past caring and past caring about. Truffaut's centrifugal direction sends pieces of crime thriller, love story, and psychological case study flying off at unrelated tangents. Moreover, Piano Player suggests that the New Wave is carrying its own logic to absurdity. Together with the Neo-Realist school of French fiction led by Novelist Alain Robbe-Grillet (TIME, July 20), the New Wave set out to give the "object" its due. In Piano Player, things-the honky-tonk piano, the hero's brass bed, an auto careening through the night-are vibrantly and almost independently alive...
Many of their books, turgid with description, tormented by tricks, are all but unreadable. Most demand far more persistence than any reader (except, possibly, a fellow writer studying technique) will ever-or should ever-give. The plunging power of one outstanding Neo-Realist, Claude Simon, dissipates too often in Faulknerian tangles-1000-word sentences and sets-within-sets of parenthetical statements. Inevitably, too, as experimenters, Neo-Realists have wallowed in pretentious critical nonsense. Their mechanical techniques, almost inevitably, have allowed a number of non-novelists to masquerade as writers of fiction. Neo-Realist Marguerite Duras' pure conversational tour...