Word: realistically
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Dates: during 1950-1959
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...things look brighter. She exchanges a bit of hope for a crumb of knowledge; he gives knowledge for hope. There is even a suggestion that they may meet at the dance hall the following Saturday. The novel has its charm-a disconcerting quality in a New Realist book-but the woman's magazine touch at the end does not befit...
...difficulty in establishing a literary school is that someone is always cutting class. Novelist Nathalie Sarraute, dean of women of the French school known as the New Realist, inveighs against psychological novels, yet psychologizes in her own works. Her cofounder, Novelist Alain Robbe-Grillet, is an object worshiper who would rather describe a love seat than a love scene; yet this is not consistently reflected in the novels of his disciples. They do have some common characteristics, notably a way of writing in flat tones of a world that is bleak arid joyless, where people lead lives hollow of meaning...
...judges from this film, proletarian life in Soviet Russia seems to be the same as working class life in the U.S. (At least in their movie version). There is none of the sordidness that is found in Italian and French realist movies. But simple creatures, who are happy or sad according to the external conditions of their lives aren't very extraordinary. This Russian attempt at a Paddy Chayevsky "slice of life" story is not very exciting...
While Britain's postwar generation of Angry Young Men lash themselves into a low-powered tantrum over the grubby, provincial world they have inherited in the Brave New World of socialism, a group of young realist painters, known as the "Kitchen-Sinkers," celebrate with gusto the seamy world of cluttered kitchen tables precisely because it is "common to everyone." It is a world in which the plumber is hero, being both "a craftsman and a necessity." A good part of the Kitchen-Sink work looks as if a plumber could have painted it, including some still lifes that focus...
...occupying the special exhibition galleries of the MFA, contains a number of exciting works indicative of the diversity and technical achievement of American print-makers. Though one cannot call one particular style the most successful, certainly the most surprising aspect of the show is the brilliance of two realist artists, Aubrey Schwarz and Moishe Smith...