Word: realistically
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Dates: during 1990-1999
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...Latin America and Europe. It has brought a new audience to the author, 52, who wrote her first novel, The House of the Spirits, at 40, when she was an exile in Venezuela after the murder of her cousin, former Chilean President Salvador Allende. That novel, in the magical realist style of Gabriel Garcia Marquez, was made into a 1994 film with Meryl Streep and Jeremy Irons. Altogether, Allende's four novels and a short-story collection have sold an estimated 10 million copies worldwide. Paula is her first nonfiction work--a book, she says, "I have been rehearsing...
...equipped to deal with the actual destruction of that past by war and ideology. Whole tracts of culture-German Romanticism; classical sculpture, with its image of the ideal, prosperous body-had been laid waste, fatally contaminated, by the use the Nazis had made of them, just as the Realist option had been wrecked by official Stalinist...
...Stendhal of the '90s dating scene. Alice works in an ad agency, Eric in commodities. They meet at a ball, go to trendy London restaurants, take a holiday in Barbados; gradually, obligingly, they settle into their roles like glossy-magazine archetypes in a masque. He's a self-contained realist, she a self-doubting romantic. He won't talk and she won't stop. Their ups and downs are delicately choreographed by a well-read Puck who's not afraid of quoting Thales, Heraclitus, Hegel, Marx and five others in a single paragraph...
...know what the cow is feeling," Grandin, a realist, tells Sacks over a dinner of spare ribs. But while she has animal rapport, her neurological wiring bypasses most human emotions; the upheavals of Hamlet and Romeo and Juliet leave her unmoved. The characters closest to her heart are Star Trek's android Data and his poignant predecessor, the supercognitive Mr. Spock...
Were this just a story of disillusionment, of a woman's dreams shattered by the harsh realities of post-WWII Italy, "Mamma Roma" would be just another neo-realist film. Part of Pasolini's genius lies in his inability to rest in any one school or style. He has too much to say to remain only in the neo-realist genre, the genre most suited to his Marxist leanings. The film often seems torn between its clear Marxist stance and its religious overtones, as its many artistic influences and ideas blend together to create an omnipresent tension. Pasolini creates...