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...secret Yes in his semi-documentary technique, his legacy from the post-war Italian neo-realist film-makers, coupled with Rosi's own sensitivity to detail. During the bullring scenes particularly, Rosi's skillful use of faces in the crowd provides a visual comment on the action which raises the film far above the newsreel level. Or, is another instance, Rosi places Miguelin outside the Madrid ring selling souvenirs and records the scens when a policeman, unaware that he was on candid camera, chases the poor boy away...

Author: By Daniel J. Singal, | Title: Moment of Truth | 8/12/1966 | See Source »

...transformation from academician to Ambassador appears wrought with difficulties. The problem of changing from an idealist's to a practical realist's approach, while at the same time being forced to accept the White House foreign policy line, has torpedoed many good-willed scholars and kept them from becoming effective politicians...

Author: By Stephen D. Lerner, | Title: Edwin O. Reischauer | 6/28/1966 | See Source »

...Another realist of sorts also opened last week to grunts of approval in Rome's Gallerie La Salita. He is Richard Serra, 27, whose credentials include a Master of Fine Arts degree from Yale and a Fulbright fellowship; he is currently deep in his zoo period. On exhibit were crude cages in which disport two turtles, two quail, a rabbit, a hen, two guinea pigs and a 97-lb. sow. The big pig oinks away as part of a work called Live Pig Cage I. "I'm not saying the pig is art or is not art," says...

Author: /time Magazine | Title: Exhibitions: Please Don't Feed the Sculpture | 6/10/1966 | See Source »

...comes to purchasing costly masterpieces. With gaping holes in their collections, they are long on aspirations, short on funds. Such was the case when the Milwaukee Art Center's director, Tracy Atkinson, found a fine Gustave Courbet portrait. Milwaukee had nothing by the early 19th century French realist, but the not unreasonable price tag in New York's Knoedler Gallery read...

Author: /time Magazine | Title: Museums: Corporate Appreciation | 5/6/1966 | See Source »

...four-letter-word fans who filled the Ames Courtroom last night to hear a talk by Paul Krassner, editor of The Realist, were not dissappointed. The self-styled "sexual libertine" was armed even with red, white, and blue posters of obscenity...

Author: By Marcia B. Kline, | Title: Krassner 'Performs' at Law School, Debunks Draft and Ginzburg Ruling | 4/16/1966 | See Source »

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