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...into its special sense of "soul mate." A stage designer, he made the Star of Bethlehem and Valley of the Lepers sets in Ben Hur. "Affinity" Earle now lives in France. Eyvind's uncle on his mother's side is slight, dark Dr. William Carlos Williams, the realist poet of Rutherford...

Author: /time Magazine | Title: Art: Water-Colorists | 3/7/1938 | See Source »

Last week, while John Barbirolli and Manhattan's Philharmonic-Symphony gave an all-Strauss program, Realist Strauss's most realistic score, the Domestic Symphony, was revived by Eugene Ormandy and the Philadelphia Orchestra. Dedicated to Frau Strauss & offspring, the symphony depicts scenes in the Strauss family circle. Philadelphians marveled & chuckled as Papa & Mama Strauss bickered, pleaded and brooded over the upbringing of Offspring Strauss. The argument realistically ended with Papa Strauss banging on the table (the whole brass section) and announcing that he would do pretty much...

Author: /time Magazine | Title: Music: Domestic Symphony | 3/7/1938 | See Source »

Tale of Bali escapes the lush romanticism of most South Sea island romances, will remind most readers of The Good Earth. Its central character is a good-natured, lusty young peasant named Pak, who is superstitious about religious matters but a resourceful realist about women, cockfights and politics...

Author: /time Magazine | Title: Books: Island of the Year | 1/3/1938 | See Source »

Because the prince had appropriated his champion fighting cock and put out his brother's eyes for having an affair with a harem woman, Peasant Pak lies low during the fighting, wastes no time mourning his jasmine-scented leader. Realist Pak's patriotism is concentrated on his rice fields and chickens, his exciting second wife and his own neck...

Author: /time Magazine | Title: Books: Island of the Year | 1/3/1938 | See Source »

...gilded trappings hung from above, no canvas masonry affronted the eye of the 1937 realist. The play, up-to-date in dress and interpretation, was the thing. The red-brick back wall was the only backdrop, the gadgets of a more formal theatre hung idle in the wings. The high loft, emptied of its scenery, lent itself to a grotesque play of light and shadow. Below, on a bare stage platform graded down toward the audience by three steps, the Mercury Theatre players enacted a sinister tragedy of dictatorship...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Nov. 22, 1937 | 11/22/1937 | See Source »

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