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Godwin Lewanika, 65, who succeeded to the throne in 1968, is the ceremonial leader of Zambia's 300,000 Lozis. His predecessors struggled to preserve a degree of Lozi autonomy from the encroachments of Kenneth Kaunda's central government, but Lewanika is a realist and gave up the battle. A former mine clerk and union organizer, Lewanika twice a year leads one of Africa's most impressive ceremonies-the journey of the Lozis from the 4,000-sq.-mi. flood plain (where they farm and fish from July to March) to the higher lands at the forest...

Author: /time Magazine | Title: AFRICA: The Dark Continent's Royal Remnants | 9/10/1973 | See Source »

Although Wyeth is sometimes described as a "realist," the term is misleading when applied to him; his images are not direct transcriptions of what he sees, unedited slices of life. There is always a great deal of compression, suppression and choice-sometimes, it is true, bending to sentimentality but in his best work at the service of an elusive poetry of mood. The painter would like to be invisible, to have his subjects treat him as if he were not there. "You see, I'm a secretive bastard. I wish I could paint without me existing, that just...

Author: /time Magazine | Title: Art: Fact as Poetry | 9/3/1973 | See Source »

...parables of Kafka. Translated into the lingo of current ideological strife, the Old Testament acquires an applicability most have long given up suspecting. To take his own best illustration, Kolakowski turns the story of Jacob and Esau into a lesson on the ways of fabricating political truths. The naive realist who believes in the objectivity of his birthright cannot defend it against the pragmatic idealist who knows that truth lives in opinions, not in acts, and who can manipulate surrounding thought accordingly. Other tales Kolakowski investigates are those of Noah, Ruth and Cain. The subtitles suffice as index...

Author: By Alice VAN Buren, | Title: God, Marx, and the Funnies, or ... Playing Havoc with the Party Line | 7/17/1973 | See Source »

...popeyed homunculi who scurry like moles through his landscapes or rear up, delicately rainbow-tinted like decaying fungi, in paintings such as Extravagant Lady, 1954 (opposite), are mere coalescences in human form. They are not people but slices of life, and in this perversely microscopic sense Dubuffet is a realist painter. The flat "absurdity" of his gaze on the fallen objects of this world has led to the idea that Dubuffet is not interested in beauty. That is untrue. He claims for his art "another and vaster beauty, touching all objects and beings, not excluding the most despised...

Author: /time Magazine | Title: Art: Dubuffet: Realism As Absurdity | 4/30/1973 | See Source »

After 1945 Böll worked as an assistant cabinetmaker but quit as soon as his first stories were published. A realist and an ironist, his prose is terse and direct, his manner as reticent and unflamboyant as Grass's is slashing and spectacular. The despair of war and its appalling hardship run through all his early work. For Böll, West Germany's postwar economic boom drowned out the moral voice of his country's guilty conscience. In 1959 he published Billiards at Half-Past Nine, a family chronicle in which the founding father...

Author: /time Magazine | Title: Books: The Green Bouquet | 10/30/1972 | See Source »

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