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THIS IS THE particular genius of Dick Bartlett. Films in the fifties went through a sort of social revolution when they started showing busdrivers and such people as ordinary human guys. These films mostly treated their characters with a neo-realist awareness of social problems and the dignity of the little man in a condescending celebration of the unwashed. Ruby, on the other hand, doesn't represent anybody but a human being. If you look at us in the right way, we're all pretty funny...

Author: By Esther Dyson, | Title: Ruby Ha Ha | 5/24/1972 | See Source »

...were, embalmed. The gel has the disconcerting resiliency of flesh-it feels vulnerable and intimate-while its contents, which may be any thing from a cut-out decal of a rain bow trout to a diminutive plastic air plane, exhale a delicate poetry of sur realist juxtaposition; their like has not been seen in America since Joseph Cornell's boxes. Memory and touch, a poignant archaeology of the self: at its best, Paris' work is pure magic...

Author: /time Magazine | Title: Art: Souls in Aspic | 5/22/1972 | See Source »

Black Hundreds. After sweeping analyses of Russian history and economics, Trotsky swings into the highlights of the 1905 St. Petersburg uprising like a man directing a painter of social-realist murals. He describes the January massacre of peaceful petitioners in front of the czar's palace -the Bloody Sunday that snapped the last thread of respect for the monarchy. In the last three months of the year, anger and discontent erupted in workers' strikes and military mutinies in Russia's major cities. After 50 days of what Trotsky called "ruthless object lessons," the czar and his Black...

Author: /time Magazine | Title: Books: Vintage Red | 3/6/1972 | See Source »

Ashore, however, he proved a master realist in the war of words that followed his dismissal. An admiral and one of the Navy's most brilliant captains went to bat for him - and eventually struck out. Until this happened, however, Arnheiter appeared to be some sort of martyr. He had tried, he said, to fight the war and bring the sloppy old Vance up to scratch, only to be sabotaged by a mollycoddle crew and a wardroom full of intellectuals and Vietniks. Arnheiter even dreamed up a word to describe what had happened to him: he had been "Vanced...

Author: /time Magazine | Title: Books: Oh Captain, My Captain | 3/6/1972 | See Source »

Born in Pittsburgh in 1924, Pearlstein gravitated to New York, where he rapidly became involved with the dominant orthodoxy of Abstract Expressionism. But in 1958, after a visit to Italy, he began to realize that he was still at bottom a realist draftsman. "I did not mean to become the kind of naive or modest painter of nice pictures the word realist seems to lead people to expect. I meant to create strong, aggressive paintings that would compete with the best of abstraction...

Author: /time Magazine | Title: Art: The Realist as Corn God | 1/31/1972 | See Source »

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