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...bestows, since it always ends up in the wrong hands, i.e., those with a hunger for such power. At its most eloquent, Mason & Dixon becomes an epic of loss. The conquering of the wilderness means "reducing Possibilities to Simplicities that serve the ends of Governments,--winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair...

Author: /time Magazine | Title: BOOKS: DRAWING THE LINE | 5/5/1997 | See Source »

...with a 500-sq.-ft. base. It does not call itself a religion, but Trinity has certainly mapped out the hereafter. Communicating through the movement's founder, Norma Milanovich, the space being Kuthumi says that the Templar will transform Earth into a star and transport us to the divine realm of the Fifth Dimension...

Author: /time Magazine | Title: Notebook: Apr. 21, 1997 | 4/21/1997 | See Source »

...find it highly ironic that MaryBeth A. Muchmore summed up her review of the play The Day of the Dogs (Arts, April 10) by accusing it of "veer[ing] a little too far into the realm of absurdity." Had the reviewer been familiar with Martin Esslin's The Theater of the Absurd, an indespensible text for anyone studying 20th century theater, she would have known that elements of the play with which she found fault are, point for point, markers of absurd theatre...

Author: NO WRITER ATTRIBUTED | Title: Muchmore Misses Point of The Day of the Dogs | 4/18/1997 | See Source »

...even with the poison-gas effect the play veers a little too far into the realm of absurdity. The characters successfully end up seeming crazy without being enlightening. They have some insight into this fact: as Beep says early in the play, "Maybe we really are just stupid." But when they suggest they are just like us--in Beep's words, "I guess we're all the same"--one feels inclined to object. The Day of the Dogs never gives us sufficient opportunity to do anything but distance ourselves from the characters...

Author: By Mary-beth A. Muchmore, | Title: Problems with the Neighbors, Neighbors with Problems | 4/10/1997 | See Source »

...piece, then took up the solo theme. His was a crystalline sound, rich in the lower registers and piercing in the higher range. He attacked the beginning of each phrase and sustained his brilliant sound through each seemingly impossible passage. His playing seemed to be in a different realm from the other musicians. It was difficult to associate the beautiful bubbling sound the produced with notes on a page. The orchestra, on the other hand, was rather sloppy in the absence of a conductor. Their unison was poor, and they occasionally lagged behind Galway...

Author: By Jamie L. Jones, | Title: Peculiar Partners: The Piper and the Pops | 4/3/1997 | See Source »

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