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...complex sequence of events, including an imminent wedding, a witch-hunt, and the arrival of a self-proclaimed criminal. The confusion created by these events is hardly as noteworthy as the questions thereby inspired. Without the spark of life necessary to good drama, the issues are cast into the realm of the abstract, relegated to the shelf like books we will never find the time to read for their own sake. Such is the case with the Dunster House production...

Author: By Cheryl R. Devall, | Title: Air, Water, But Alas, No Fire | 12/6/1978 | See Source »

...flow of breath, and as unbroken. For even the shape of the dance's impulse is that of subjective emotional experience; the rhythm moves as a seamless whole, each suspended pose not a break but a pulse-point, the peak of the wing-beat of a soaring bird. The realm of personal feeling is a continuum, and so are these forms: the body lines smoothed clean into curves, all weight belied by the tracery of pointe-work, every arabesque hovering at the edge of flight...

Author: By Jurretta J. Heckscher, | Title: The Classic and the Comic | 11/13/1978 | See Source »

...Marriage, a key character breaks into a paroxysm of laughter about the absurdity of just about everything. Then his face takes on an ashen look of desolation, and he says, "God have mercy on our sinning souls." Gogol uses such juxtapositions to go beyond tragedy or comedy into a realm that might be called cosmic farce...

Author: /time Magazine | Title: MARRIAGE: Gogol Dancing | 11/13/1978 | See Source »

...ability to construct sentences or his ability to construct sentences or his ability to make tools. He cites the recently discovered ability in chimpanzees and gorillas to make and use primative tools as well as to create basic sentences. The progress chimpanzees and gorillas have made in the realm of language is particularly revolutionary and calls for a reevaluation of the fundamental differences between man and animal, Leakey writes...

Author: By J. WYATT Emmerich, | Title: Leakey's Ancient Visions | 10/23/1978 | See Source »

...fiction writer, especially one who tries to present a social message through his story, is how closely to mirror reality in his fiction. Some writers change only the names of their characters leaving imaginative artifices out of their works. Others place their stories so far from the realm of common experience that only the most determined can find any relation to reality. Gabriel Garcia Marquez has found a comfortable, even delightful balance between the two extremes. "Reality is not restricted to the price of tomatoes," he says in a recent issue of the New Republic. "Life is filled with...

Author: By Amy B. Mcintosh, | Title: Marquez's Magic | 10/23/1978 | See Source »

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