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...Manufacturer's Hanover and Citicorp stock represents Harvard's first step in taking a stand on the inhumane situation in South Africa. If in the future the University decides at long last to place morals over finances, it should say so, instead of throwing the controversy into the dry realm of finance, avoiding moral implications involved in the sale, and saving face in the business community. It is admirable when a university--even Harvard--listens to critics within its own community and publicly changes its policy to correct a glaring injustice...

Author: NO WRITER ATTRIBUTED | Title: Stock Sales: Mixing Finance With Politics | 2/23/1978 | See Source »

Your Americana mini-article that spoke of the orbiting astronauts' seeing a crystal beauty in their body wastes in space [Jan. 16] disturbed my idea of the breathtakingly unpolluted realm of the cosmos. One man's heaven is another man's septic tank...

Author: /time Magazine | Title: Letters, Feb. 6, 1978 | 2/6/1978 | See Source »

...received a reply from Grand Dragon J.L. Baskin, a retired Methodist minister whose Klan realm included West Virginia; Baskin encouraged Byrd to organize his own klavern of 150 members. He did just that and was then unanimously elected Exalted Cyclops, the group's leader. Impressed, the Grand Dragon told Byrd: "These people believe in you. You ought to set your cap for Congress...

Author: /time Magazine | Title: National Affairs: Byrd of West Virginia: Fiddler in the Senate | 1/23/1978 | See Source »

...however, clarity may not matter, for the film leaves the real world behind and enters the realm of allegory. When the fascists are driven out of Rome, the peasants turn on the fascists of their own town, and then it is the padrone's turn. Passive as ever, De Niro stands before a people's tribunal--under a huge red flag that is miraculously unharmed by the bayonets that hold it up. But if De Niro retained his love for his peasant friend throughout the fascist period, Depardieu cannot overcome his ties to De Niro and he does not permit...

Author: NO WRITER ATTRIBUTED | Title: A Magnificent Disaster | 1/13/1978 | See Source »

Camus presents the characters in Bahia as "God's poor--that is, they are completely poverty-stricken, but rich in friends." They live in a squatter village near the beach, outside the normal realm of the world. They are always happy: always dancing, never hungry, never worried about what tomorrow will bring. This is a myth, after all; if Curio (Paco Sanches)--who wears a clown's makeup and sighs constantly after blondes--is slightly unbelievable, well, so is every other character in Bahia...

Author: By Gay Seidman, | Title: A Green World | 12/6/1977 | See Source »

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