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...asked whether it is legitimate to dismiss "political responses" to the article as "brutish and intolerable" because they "affront Herrnstein's personality." The Dunster committee asked the signers if they had any "hard evidence" of intense personal harassment of Herrnstein and if SDS posters and placards were within the realm of free speech...

Author: NO WRITER ATTRIBUTED | Title: Faculty Members Criticize Dunster Letter on Herrnstein | 1/4/1972 | See Source »

...they consider placards, leaflets, and picketing, described in the statement as "false and offensive," not to be within the realm of free speech...

Author: NO WRITER ATTRIBUTED | Title: INSIDIOUS IMPLICATIONS | 12/8/1971 | See Source »

Herrnstein should not be fired, as the two groups demand. Nor should he be censured. Neither the faculty nor the University has the authority to take a stand on a man who writes theories and not policies. Within the realm of ideas, however, individuals Faculty members have the right--and, in our opinion, the obligation--to challenge Herrnstein's article. Some Faculty members have done so. But a larger group has only attacked the most vocal segment of Herrnstein's critics. The threat of Herrnstein's ideas is more dangerous than the imagined threat of SDS and UAG to intellectual...

Author: NO WRITER ATTRIBUTED | Title: Herrnstein | 12/8/1971 | See Source »

Delicatessen Window. Everding has mounted one of those productions in which the actors don't act but the scenery does. Wagner's two lovers live in an emotional realm of their own, encountering calamity only when they have to reconcile ecstasy with reality. Everding has them floating off into their own dreamworld during passionate scenes, returning to earth when other people are around. In a starkly symbolic setting where nothing is real, it might have worked. But in this production, both world and dreamworld look equally realistic. Nothing fuses...

Author: /time Magazine | Title: Music: Spaced-Out Tristan | 11/29/1971 | See Source »

Superstar's vulgarity is less in the realm of religion than of theatrical taste. Serious Lloyd Webber and Rice fans, in fact, may well be advised to open a new chapter in the age of McLuhan by turning down a chance at the show "because I loved the record." On LP, Jesus Christ Superstar is abstract, intimate, capable of subtly engaging the mind and the imagination. Director O'Horgan's frenetic Broadway incarnation is rarely any of those things. It is, instead, a frequently breathless and occasionally stupendous son et lumière show, crowded with mechanical contrivances, and a headlong...

Author: /time Magazine | Title: Show Business: The Gold Rush to Golgotha | 10/25/1971 | See Source »

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