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...West Africa a kingdom of warlike tribes that came to be known as the Empire of the Mali (rhymes with Bali). Among its greatest rulers was a crippled boy named Sundiata Keita, who survived the murder of his eleven brothers and ascended the throne in 1230, to build a realm that was eventually to cover what is now Guinea, Senegal, the French Sudan and Ghana. Last week one of Sundiata's descendants, the Sudan's Modibo Keita, was in Dakar, capital of Senegal, as one of the architects of a modern revival of the old empire. Along with...

Author: /time Magazine | Title: MALI: Four for Togetherness | 2/2/1959 | See Source »

With science pretty much out of this world, and politics "in the realm of surrealism and fantasy, doesn't modern art loom large as a most real and reasonable, concrete and most reputable human activity?" demanded U.S. Abstractionist Ad Reinhardt. No. 15 (opposite) is one of Reinhardt's more seeable creations: usually his colors merge and vibrate so elusively as to cause eyestrain. The 9-ft.-high canvas is also a standout exhibit at what may be the most provocative art show now hanging: "Acquisitions 1957-58" at the Albright Art Gallery in Buffalo...

Author: /time Magazine | Title: Art: QUESTION MARKS IN COLOR | 1/26/1959 | See Source »

Many of the Administration's scientific brains, from Presidential Adviser James R. Killian down, have proved to be naysayers and quibblers, among other things stirring up a futile, irrelevant dispute over whether space is a "civilian" or "military" realm. Reflecting this dispute, U.S. space programs are split between two bureaucratic domains: the Defense Department's Advanced Research Projects Agency and the civilian-bossed National Aeronautics and Space Administration (see chart). On paper the division is clear and logical: ARPA, headed by sometime General Electric Executive Roy Johnson, oversees military projects (the Discoverer eye-in-the-sky program...

Author: /time Magazine | Title: SPACE: On Pain of Extinction | 1/19/1959 | See Source »

Archaic Greek sculpture was Near Eastern in its hieratic stiffness and austerity, putting mind over matter and awe over pleasure. It was intended not to produce an illusion of reality, but rather to lift the temple visitor into an other-worldly realm of contemplation. This conception of sculpture reigned supreme for untold centuries, until the classical Greeks traded it for a new idea of their own, which was simply to make stone seem as real as flesh and similarly beautiful...

Author: /time Magazine | Title: Art: Born in Stone | 1/5/1959 | See Source »

...sensitivity lies especially in the realm of color, which he uses lyrically and not without the oriental mystique. His drawing partakes of the same spontaneity but here the trouble begins. In a work like Blue Caduveo Shimizu conjures lovely and effective nuances of tone. Then, examining it closer, one finds a great deal of fiddling around and many squiggles which are without meaning. If these comprise a kind of patina they may or may not succeed. Unfortunately, in many of Shimizu's things they are more than patina. They constitute a shortcut, however unconscious, a device which meets a multitude...

Author: By Paul W. Schwartz, | Title: Yoshiaki Shimizu | 12/6/1958 | See Source »

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