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...offers the wonderful voice of her radio days, the same man hungry wistfulness, and a coarse good-humor. But a decade of plays like "Come Back, Little Sheba" and "Time of the Cuckoo" have toned down her performance, and a dimension of easy dignity takes her out of the realm of caricature. But when given half a chance Miss Booth is still very funny...

Author: By Arthur J. Langguth, | Title: By The Beautiful Sea | 2/27/1954 | See Source »

...this unlikely realm of aesthetics, that the photographic board has been making steady headway. The board's philosophy minimizes the un-imagination straight news picture. the emphasis a on the artistic picture which is still a good news picture which is still a good news picture; and portraiture has become more than smile-click thank you routine...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON Confronts Praise, Scorn But Rarely Indifference | 2/11/1954 | See Source »

Student reaction yesterday was quick to criticize the Princeton authorities. The Daily Princetonian commented in an editorial yesterday, "Disciplining the students who were responsible for what may or may not be bad judgment in the realm of art is inadvisable...

Author: NO WRITER ATTRIBUTED | Title: Princeton Dean Puts Two Writers On Probation for Indecent Article | 2/10/1954 | See Source »

Even the NCAA tournament is not entirely out of the realm of possibility, although the Crimson's six straight losses in a western invasion over Christmas would make its choice by a selection committee very doubtful. On Feb. 15, Harvard and second-ranked Boston College, now without high-scoring Jim Duffy, meet. A convincing varsity triumph in this and all remaining game might atone for two close previous defeats by the Eagles...

Author: NO WRITER ATTRIBUTED | Title: Sextet Has Tough Schedule In Remaining Eight Contests | 2/3/1954 | See Source »

...devices of a composer who would attempt to capture all this. The melodic declamation must match the mood of the narrator (and in these odes the poet always speaks in the first person). The piano writing must reflect the external scene--now the roaring sea, now the realm of abstract speculation, now the very power of Bacchus. In all these shifting moods the composer's emotional intensity must be just a degree less than the poet's; the musical setting must heighten, not dwarf the spirit of the poetry. Finally, there is the language--the cool, stark quality of Latin...

Author: By Alexander Gelley, | Title: Harvard Composers | 1/18/1954 | See Source »

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