Word: reals
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Dates: during 1960-1969
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...vast slave-labor camps they had manned for 25 years were disbanded. But there is much hope for the future, Abel believes, because the young people he now sees entering the KGB are displaying "exceptional stubbornness and persistence in learning from the work experience of their older comrades-the real masters of their profession." It is a self-serving but nonetheless chilling thought...
Frank in the Flesh. Seldom has a college backfield contained two more offensive threats than Yale's Quarterback Brian Dowling and Halfback Calvin Hill. A real-life Frank Merriwell, Dowling does everything but carry water, and in three seasons he has rewritten the Yale record book. No less talented is Hill, a slashing runner with 13 touchdowns to his credit this year...
...commercial television. Despite the potential for mischief in so prolonged a period of youthful idleness, police reported that there was no significant rise in juvenile delinquency. A feeling expressed on both sides was that it was the kids who, by their restrained conduct, showed themselves to be the real heroes of the strike...
...real star of the film is the Vatican itself, with its time-encrusted rituals and ancient, artistic treasures all faithfully reproduced in Panavision. But it has a respectable supporting cast. Quinn is an effective rough-and-humble Zorba the Pope. For a change, his fellow actors-notably Vittorio De Sica as a volatile Italian cardinal and Leo McKern as a jealous one-do not look embarrassed by their clerical robes. As Father Telemond, Werner appears uncommonly youthful for his 46 years; he seems fresher in each new movie, as if, like Merlin in The Once and Future King, he were...
...English-accented stars of the '60s who do not look or act like a secondhand Julie Christie. Not especially prepossessing or crafty, she is totally free of mannerisms, as natural as someone on a Chelsea sidewalk. Her fellow players seem equally and effectively plucked from real life. The best of them is Donald Sutherland, as a frail, talentless aristocrat, whose tentative worship of the Beautiful People is so well portrayed that it turns a bit part into a leading role...