Search Details

Word: reals (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...mean to take anything away from that Harvard team. They got a really good guy in that little Gatto fellow. He's a real sparkplug. And that defense: wow, from what I've seen in the films they know how to play football. But let's get back...

Author: By William G. Paten, | Title: Dowling Speaks | 11/19/1968 | See Source »

SOME OF THE Harvard Undergraduate Council's most vociferous members, including its radical vicepresident, are calling for the HUC to disband, charging that the group is powerless and that it makes students falsely secure by appearing to take--but not actually taking--a real part in important decisions...

Author: By Jeffrey D. Blum, | Title: HUC Death Wish | 11/19/1968 | See Source »

Offensively, Crimson halfback Bill Bryson managed to break loose on a 75 yard punt return to the Brown five, but Trow-bridge caught him from behind to stop the Crime's only real offensive threat...

Author: By Rhesus J. Portfolio, | Title: Crime Wins 23-2 Despite Big Jane | 11/18/1968 | See Source »

...beings, not metaphysics. The charm, for instance, of the novel Pnin (included in its entirety in Nabokov's Congeires) comes not so much from the telling of the story as from the character of Pnin, a hapless professor of Russian in a small American college. There may be no real separation between style and content, but Nabokov uses his style to create a believable man, charming and pathetic. Having just fallen down a flight of stairs and flat on his back. Pnin remarks, "It is like the splendid story of Tolstoy--you must read it one day, Victor--about Ivan...

Author: By John Plotz, | Title: Barth and Nabokov: Come to the Funhouse, Lolita | 11/18/1968 | See Source »

...best of the lot is "Lost in the Funhouse," which, although it has maddening disgressions, is at least concerned with a "real" character, a pubescent boy named Ambrose. Ambrose goes to a seaside amusement park with his family, and there he gets lost in the funhouse. We are not sure if he really gets lost in the funhouse because we are made constantly aware of the author's hand pushing his characters around. Does Ambrose get lost, or does Barth make him get lost, or does Barth speculate about making him get lost? It is impossible to tell, which...

Author: By John Plotz, | Title: Barth and Nabokov: Come to the Funhouse, Lolita | 11/18/1968 | See Source »

Previous | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | Next