Word: reals
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Dates: during 1960-1969
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...assumption that the process of converting someone else to one's own beliefs is a purely intellectual one. It is wrong to suppose that all one has to do is to present the worker with facts and figures and expect him to be "educated" into understanding that his real enemy is the capitalist establishment. It is a myth that a lifetime of cultural and social indoctrination can be nullified by any cool and rational expose...
...amazing ease with which George Wallace has managed to divert the attentions of the working-class from real inequities to imagined and irrelevant ones demonstrates the power of values that have been long instilled. When the working class man frets about his "high" taxes, he does not pause to worry about the loopholes by which the rich escape paying anything like a fair share because he is preoccupied instead with the thought that his money is being given out in some fraction to welfare recipients. He is more suspectible to the latter viewpoint because all his life he has been...
...pseudonym of "Bill Brown." Mr. Martin's head was never found, McGuire says, so "the missionaries buried what they could find of him." "Bill Brown" reportedly had a wife and family in Rhodesia, who are vainly attempting to collect the money he deposited in a bank under his real name, for they have no proof that he is dead. "No death certificate, no anything...
...taking polls of seniors, concentrators, and professors in various departments, the committee will try to learn whether most honors seniors write theses out of real interest or just out of a desire to graduate with an honors degree, HPC chairman Kenneth M. Kaufman '69, said last week...
...provides a hippie guaranteed to satisfy any Kansas housewife steeped in instinctive hatred of a human species more reprehensible than the red menace. But given the lasting power of the film image, we are perhaps witnessing the commercial creation of a breed of hippie at the expense of the real animal. Assuming that the hippie movement goes the way of the flappers and beatniks, we run the risk of seeing them in fifty years only as they were given us by the commercial American cinema. I think the whole thing is insidious, and I hope it irritates you as much...