Search Details

Word: reals (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Campbell, LaBour continued, was allowed to use his real voice on the single "Lady Madonna," which does sound unlike. Paul's usual style. Beatle manager George Martin, meanwhile, became "an important composer, all the while masquerading as Paul...

Author: By Jeff Magalif, | Title: Clues Do Not a Dead Man Make | 10/23/1969 | See Source »

...world since the "accident." "The surviving Beatles decided to keep the information from the public for as long as possible... Lennon's plan was to create a false Paul McCartney, bring him into the group as if nothing had happened, and then slowly release the information of the real Paul's death to the world via clues secreted in record albums...

Author: By Jeff Magalif, | Title: Clues Do Not a Dead Man Make | 10/23/1969 | See Source »

...career. Those that do so the most likeably are the east manipulated. Almost all of Hitchcock's films feel excessively structured, designed to make the audience draw the morals he intends. Only in a few does his subject balance his frightening formal control and let the characters seem real individuals. Hitchcock's audience-manipulation, involving an attitude of superiority toward his viewers, generates the unpleasant feeling that his characters merely illustrate a narrow moral design-Hitchcock's. Only in Shadow of a Doubt, Under Capricorn, and Psycho do they act as whole people. These works, which realize the best tendencies...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...setting for a complex and subtle interplay of moral perceptions. At the same time the plot is constructed on personal progress; it follows the growth of moral and romantic awareness of an adolescent girl. But though it ends in a clear confrontation between good and evil its use of real locations and realistic performances maintains moral complexity and resonance through the film...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

...chance that someone might, let me add a little more substance to one central point: Hyland's Center for International Affairs, that stout arm of the imperialist military-industrial complex, is a fantasy; it simply doesn't exist. As the running dog of a sinister international conspiracy, the real Center would be in very deep trouble indeed. Take some of its activities over the past few years...

Author: By Center FOR International affairs, | Title: Vernon Defines the Role of the CFIA | 10/22/1969 | See Source »

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