Search Details

Word: reals (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...widespread feeling that there is no clear way of forcing a peace settlement from Hanoi, but that the killing must stop and therefore the U.S. must pull out. On the other extreme, Nixon's plea for unity, while based on the valid notion that the war's real battleground has shifted to the field of U.S. public opinion, rests on the assumption that if the allies just hang on in South Viet Nam, the Communists will grow tired and seek a settlement-or the South Vietnamese army and government will grow strong enough to stand alone. What both...

Author: /time Magazine | Title: The War: Gathering Protest | 10/3/1969 | See Source »

...believe this is a practical way. We would like to have frank negotiations to settle the war, which will bring a solution to the conflict as a whole. A cease-fire is only the beginning step which leads to a real cessation of hostilities. We must not fall into their trap to have a cease-fire in advance of a solution of the overall war. The Communists will exploit the ceasefire to strengthen their forces, to promote the war. Instead of ending the war, you prolong...

Author: /time Magazine | Title: Nation: Thieu: Determined and Defiant | 10/3/1969 | See Source »

...cameraman, Robert Forster, isn't an entirely believable character. He's not enough of a creep and too much of an existential hero. His truthful search to break free from the illusions of his medium don't seem natural to him, and he's also an unbelievable stud. Your real-life cameraman is an amazing turkey...

Author: By John G. Short, | Title: The Moonviewer Medium Cool at the Beacon Hill Theatre | 10/2/1969 | See Source »

Some of Wexler's techniques are a drag for his own medium of film. In one of the opening scenes he has his ideas about news coverage batted around in a cocktail party. A real bad gimmick. When the characters speak, they are making statements to the audience of the movie not to each other. A film should always make sense within itself...

Author: By John G. Short, | Title: The Moonviewer Medium Cool at the Beacon Hill Theatre | 10/2/1969 | See Source »

...niche selection is somewhat limited. however. Though How to Make's protagonists. Mary and Aili. "try on" each of the available roles, every option is so unattractive that there is no real choice invoved. One may be seduced by the securrity of a haven into a life of bored housewifery. Or if power is your game. you may choose the emaculating Big Mama costume. If neither of these appeals, you can give up both power and security with the "loose broad" approach. Even the "enlightened" wife who keeps her career finds that her husband's work takes precedence over hers...

Author: By Jill Curtis, | Title: The Theatregoer How To Make A Woman at the Caravan Theatre every Friday and Saturday through Nov. 1 | 10/2/1969 | See Source »

Previous | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | Next