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...nationalist leader with an avowed commitment to socialism, he must also begin to satisfy black demands for a greater share of the national wealth. In addition, he may soon face mounting pressures for radical change from impatient hard-liners within his own party, who are anxious to reap the immediate benefits of their newly won power...

Author: /time Magazine | Title: ZIMBABWE RHODESIA: Mugabe Takes Charge | 3/17/1980 | See Source »

This is the garden. Time shall surely reap...

Author: /time Magazine | Title: Books: Grubby Cherub | 3/17/1980 | See Source »

John Paul's visit to the Philippines will serve as the rope for a church-government tugof war. Marcos will try to reap maximum exposure. The church under Sin's direction will try to steer the Vatican away from such exploitation and use the visit to close ranks among its own members. If Marcos oversteps his bounds, he may trigger a more severe church reaction. Several clergy fear the Marcos's may ask the Pope to conduct their daughter's wedding ceremony. One of Sin's closest advisers suggested that the Pope may visit political detainees to make a definitive...

Author: By Michael Kendall, | Title: Marcos's Sin and the Papal Tour | 1/31/1980 | See Source »

...always be with an eye toward quality. Fortunately, the '70s provided us with two prime examples of art forms able to meet this difficult balance. Dance flourished as never before, because groups like Alvin Ailey and Pilobolus, never afraid to innovate, refused to stoop to low artistic levels to reap maximum profits. More established ballet troupes continued to provide, for the most part, first-rate productions, and the audiences responded. Jazz reasserted itself in the clubs, churches and music halls, in part because it had a proud tradition to call upon but also because its artists worked assiduously and unpretentiously...

Author: By Michael E. Silver, | Title: A Decade of Decadence: Arts of the '70s | 1/10/1980 | See Source »

...system, churning out as many graduate artists every five years as there were people in late 15th century Florence, has in effect created an unemployable art proletariat whose work society cannot "profitably" absorb. Generous tax laws, which enabled collectors to buy low, keep a picture for years and then reap a tax benefit by giving it to a museum at its enhanced value, fueled the art boom. The inequity of such laws has been that, if the artist gives his own work to the same museum in the same year, he cannot claim its fair market price as a write...

Author: /time Magazine | Title: Time Essay: Confusing Art with Bullion | 12/31/1979 | See Source »

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