Word: reared
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Dates: during 1960-1969
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...fascinating to read all about how those brilliant designers in Detroit design doors that go "thunk." Detroit has engineered other important sounds into my late-model car. There is an impressive "budda-deh-buddedeh" in my rear axle. There is a scintillating "chatcheteh-chatch-eteh" coming from a rear shock absorber, a soothing "toketah, toketah" from my radio antennae and a "tssshhhzbbbd" from my radio. And I may well have the only door that closes with a "puh-lox-ette-kuh." I have been assured by the service manager that, "dats duh way der bill...
...hoped to be allowed to finish my senior year first," said Baughan, whose father is a rear admiral in the Navy. "But the Pentagon's decision came as no surprise and I can acept it: no gross injustice was done," he added...
Unrest among the blacks often turns on real discrimination or the failure of the military to accept the trappings of black soldiers bent on "doing their thing." Promotions, awards and coveted rear-area assignments are too often slow in coming the black soldiers' way, however well they fight or however high their proportion of casualties. Some 13% of battle deaths are black, while Negroes make up 11.1% of the American population and 9.2% of the military...
General Motors is making minimal design changes. Frequently they involve nothing more fundamental than radiator grilles or other ornaments. The big Ford and Mercury models follow the same pattern. What few changes there are cater to the public's new taste for long hoods and truncated rear decks. For example, Chevrolet's lone new car, the Monte Carlo two-door sedan, measures 6 ft. from grille to windshield...
...opera as by the incident. But despite its effectiveness, The Devils seemed episodic, eclectic, and the complex Penderecki (pronounced Pen-der-ete-key) score sometimes trod meekly behind the drama instead of forcefully alongside it. What gave absolutely no grounds for complaint were the performances of Baritone John Rear don and Mezzo-Soprano Joy Davidson. As a sensual priest who is burned at the stake, Reardon in particular gave the production just the sort of personal force it needs...