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...rear of the stage, a strange mix of various percussion instruments grew and changed throughout the night. In the hands of Jeffrey Haynes, everything from a steel pan to congas added tastes of Africa and the Caribbean at will, and he masterfully integrated his beats with sometimes-jazz, sometimes-folk, sometimes-blues tones around him. Even with a drummer and percussionist playing simultaneously, the sounds were never muddled and Wilson's voice was never muscled into the background...

Author: By Emma R. Heeschen, CRIMSON STAFF WRITER | Title: Cassandra: Complex | 4/23/1999 | See Source »

Boogie explains, "These two ladies are gonna join you in line. Okay?" We nod our assent. "Okay," Boogie confirms. Boogie has a bad case of wandering hands. While he stands and chats with his friends, he massages Delia's rear. She doesn't object. Boogie buries his head in Delia's inviting locks. "Ooooh baby," he moans, "you've got a nice weave." Tatyana roars in amusement. Delia is not pleased...

Author: NO WRITER ATTRIBUTED | Title: HOUR5 *** 7:00 A.M. | 4/22/1999 | See Source »

Brahms' First Symphony concluded the program. This composer was not always so beloved in town--in the 1890s, it was proposed that a sign above the rear of Symphony Hall should read "exit in case of Brahms." No one ran for the door, however, as Haitink masterfully mustered a grandiose yet precise reading. At the risk of iconoclasm, his technique is much clear and less irksome than Uncle Seiji's. To be fair, however, the first movement lost focus en route to the slinky final recapitulation...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Classical Stuff | 4/16/1999 | See Source »

...Brahms' First Symphony concluded the program. This composer was not always so beloved in town--in the 1890s, it was proposed that a sign above the rear of Symphony Hall should read "exit in case of Brahms." No one ran for the door, however, as Haitink masterfully mustered a grandiose yet precise reading. At the risk of iconoclasm, his technique is much clearer and less irksome than Uncle Seiji's. To be fair, however, the first movement lost focus en route to the slinky final recapitulation...

Author: By By MATTHEW A. carter, CRIMSON STAFF WRITER | Title: Concert Review: Classical Stuff | 4/16/1999 | See Source »

Carey and Keck, meanwhile, are bringing up the rear, Carey at .224 and Keck...

Author: By Daniel G. Habib, SPECIAL TO THE CRIMSON | Title: Baseball 3-1 on Opening Weekend | 4/5/1999 | See Source »

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