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Word: rears (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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...Rear Window's funkiness is clearly evident in its average weekly fare. Films as diverse as "Beauty and the Beast" and "The Girl Can't Help It," "Gervaise" and "Repulsion," alternate with live music and experimental performance. The Rear Window also runs several series in conjunction with other organizations. Besides Kleiler's own. trademark "Festival of the Bizarre and Insane," the Rear Window has recently programmed the "Images of Boston" series (in conjunction with the Boston Center for Adult Education) and "Sets in the Cinema: The Movies and Modern Architecture" (with the Boston Architectural Center). In his diverse approach...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

DESPITE THE REAR WINDOW'S MANY projects, and its established reputation for programming, financial solvency is still difficult for Kleiler. "I hold down six part-time jobs, and try to stay ahead of the bills." Audiences for Rear Window features range from as little as six to as many as sixty people (at a recent showing of "Swing-time"). Collaborations with organizations such as the Boston Architectural Center (which rebuilt its top floor screening room for the Rear Window) and the Boston Food Co-op ease the financial burden; these organizations underwrite the series, giving Kleiler the freedom to program...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

...another problem is attracting an audience large enough or dedicated enough to sustain Rear Window's off-the-wall programming. Kleiler attributes the difficulty in attracting a college audience to the lower attention span of our generation. "College kids have no interest in the past, in movies more than two years old. I wouldn't blame this on TV and VCRs; it's more of a general trend--in books, media as a whole...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

Despite its casual tradition, Kleiler expressed interest in bringing the Rear Window to a more permanent home, on one screen in a multi-screen complex for example. However, the large rental fees asked by larger houses to utilize their equipment (as much as $400 per night) make such plans unfeasible at the moment. The organization's limited budget would necessitate a more mainstream repertory program to pay the fees of such venues. Also, Kleiler remains committed to the Rear Window's more or less permanent home in Brookline, providing alternative programming for the area at the Brookline Arts Center...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

...Rear Window screens films Fridays at 7:30 p.m. (and some Sundays) at the Brookline Arts Center (86 Monmouth St.), Wednesdays at 7 p.m. at the Boston Food Co-op (449 Cambridge St., Allston), and at the Boston Architectural Center (320 Newbury St.). Films are also shown in other locations; for more information, call...

Author: By Joseph D. Penachio, | Title: Advancing the Rear | 4/30/1987 | See Source »

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