Word: reasonably
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Dates: during 1950-1959
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...Another reason: the U.S. found in Deputy Under Secretary of State C. Douglas Dillon, onetime Wall Street investment banker, a foreign aid field commander with the tactical skill needed-and deployed-to prevail upon Congress to pass 1958's $3.3 billion foreign aid appropriation. As much as it dramatized Communism's infiltration of strategic, oil-rich Venezuela, the mobbing of Vice President Nixon in Caracas (TIME, May 26) underlined the urgent need for U.S. help for orderly economic growth in the hemisphere. Needed in Latin America, Asia and Africa alike was a new climate of incentive plans...
...World War II and Korea transition go so smoothly? One key reason: the veterans found the way home paved with every comeback aid the nation could provide. The G.I. Bill of Rights and related laws offered what one vet calls a "bonus in advance," the most lavish assistance program in history (total Veterans Administration spending since 1946: $72 billion). Most important, the aid was given when and where it could help a man re-enter competitive society. U.S. Employment Service set up a nationwide job hunt. The VA guaranteed $50 billion worth of low-interest loans to help...
Germany (to a German audience in 1945). "The world changes, and I firmly believe that henceforth there is every reason why you should be closer rather than farther from us. You will note that I have spoken only of the future and the present. This is not unintentional...
...including Actress Madhubala, 25. Unlike Madhubala's secure stardom, her role as a producer is fraught with peril. An Indian producer can afford to stay in business only by setting up a new company for each movie, then quickly dissolving it one jump ahead of the creditors. Chief reason: most of the movie capital comes from tightfisted film distributors-and the distributors are in turn bilked by the exhibitors, whose 33% chunk of total movie revenue is topped only by the government's 36%. For a producer, only about 8% remains before he even pays off costs...
...never seeing an Indian movie. With the exception of a few original moviemakers in Calcutta, where Director Satyajit Ray filmed the prizewinning Father Panchali (TIME, Oct. 20), the Indian movie business is likely to go on pandering to more undemanding millions than Hollywood ever envisioned. There is good reason: the occasional jackpot is full of jack indeed. For a borrowed $500,000 two years ago, Bombay Producer Mehboob Khan made a color film, Mother India (no kin to Katherine Mayo's book of the same name), which has since raked in $2,000,000. Mehboob's next step...