Word: rebibbia
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...credited with helping to end the Cold War: Pope John Paul II. Giansanti traveled the world with the globetrotting Pontiff and, while he was on the other side of Rome when the attempt was made on the Pope's life, Giansanti was among the photographers at Rebibbia prison when John Paul went to forgive his would-be assassin, Mehmet Ali Agca. Giansanti's large portfolio of images of the Polish Pope at work and prayer in the Vatican were integral to TIME when the magazine made the Supreme Pontiff its 1994 Man of the Year. (See Giansanti's 1994 photograph...
...Paul II resumed last week in Rome, the overriding question was whether Star Witness Mehmet Ali Agca would ever testify again. The previous Tuesday, after persistent grilling by presiding Judge Severino Santiapichi, Agca had wearily announced, "There is nothing left to say." Then he returned to his cell in Rebibbia prison, refusing to appear in court. Over the weekend, however, the convicted Turkish gunman had a change of heart. Early last week he not only showed up in court but arrived with the announcement that "I have searched my conscience" and that he was abandoning the "double game...
Escorted from his cell in Rome's Rebibbia Prison by a heavy police convoy, Mehmet Ali Agca arrived in a high-security courtroom in Rome last week, presumably to tell a jury that he had been hired by Bulgarian intelligence officials to kill Pope John Paul II in 1981. But as the 27-year-old Turk settled into his white steel cage in a former gymnasium converted to a courtroom, he had loftier matters on his mind. "I am Jesus Christ!" Agca shouted. "I am omnipotent. I announce the end of the world. All will be destroyed." The bizarre outburst...
...thin, gray-haired man flew from New York City aboard TWA Flight 842 in the custody of U.S. marshals, who turned him over to armed Italian police at Milan's Malpensa Airport. Then he was flown to Rome and whisked to Rebibbia prison, where he now occupies a cell recently vacated by Ali Agca, the Turkish terrorist who tried to kill Pope John Paul II in 1981. With such swift efficiency, the U.S. last week shipped Michele Sindona, 64, home on the day that a new extradition treaty with Italy went into effect...
...scene in Rebibbia had a symbolic splendor. It shone in lovely contrast to what the world has witnessed lately in the news. For some time, a suspicion has taken hold that the trajectory of history is descendant, that the world moves from disorder to greater disorder, toward darkness-or else toward the terminal global flash. The symbolism of the pictures from Rebibbia is precisely the Christian message, that people can be redeemed, that they are ascendant toward the light. In a less exalted sense, the scene may be important because it suggests that human beings can respond to inhuman acts...