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Word: recastings (lookup in dictionary) (lookup stats)
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...guard wears 1812-era uniforms, and attending Orthodox church services is a good career move. Even the Stalin-era national anthem is back. Lenin, a ruthless but austere revolutionary, an enemy of empires and religion, is out of fashion. Denouncing him allows members of the new élite to recast themselves as standard bearers of imperial nostalgia...

Author: /time Magazine | Title: Letter From Moscow: A New Home for a (Very) Old Comrade? | 10/9/2005 | See Source »

Normally in Murdoch's fiction, isolated and frankly artificial settings help resolve dilemmas or at least recast them into familiar types of allegory. But Seegard adds to Edward's confusion and despair. Nothing here is quite what it seems, and the moment one set of deceptions is exposed, another takes its place. Edward finds Jesse, but the old man is apparently being held prisoner in his own house. He says the three dutiful acolytes have tried to poison him. The women tell Edward that Jesse is ill and deranged, a demigod whose powers have failed. The visitor wonders...

Author: /time Magazine | Title: Mirror of Dazzling Chaos THE GOOD APPRENTICE | 6/21/2005 | See Source »

...cast in something called Hollywood Hotel (1937), her withering look can be seen between her lines to him: "I have worked very hard to become known as a dramatic actress," she wrote. "For you to want me to become a slapstick comedy actress ... I cannot understand." The part was recast...

Author: /time Magazine | Title: Show Business: Rin-Tin-Tin Doesn't Talk | 6/21/2005 | See Source »

...silent as Rin-Tin-Tin. Raft, reminding Jack that he had been promised nothing but big pictures, demanded release from a thriller set in San Francisco: "I strongly feel that The Maltese Falcon, which you want me to do, is not an important picture." That role was also recast, and The Maltese Falcon made a big star of Humphrey Bogart...

Author: /time Magazine | Title: Show Business: Rin-Tin-Tin Doesn't Talk | 6/21/2005 | See Source »

...time. Few books have so vividly portrayed the initial fragility of what now seem eternal works of dramatic writing. Schneider specifies some literate imbeciles who offhandedly dismissed the talents of Beckett, Harold Pinter and Eugene Ionesco. He recalls how Bert Lahr willfully misread Godot, trying to recast it as one of his old vaudeville routines. He depicts runaway egotism among the stars of Virginia Woolf, one conniving to get her husband hired in place of her leading man, another threatening to quit because everyone else in the cast was taller, and he therefore felt emasculated. And Schneider cites Williams...

Author: /time Magazine | Title: Books: Stagecraft ENTRANCES | 6/21/2005 | See Source »

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