Word: recent
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Dates: during 1950-1959
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...other local drama groups out of business. And you go on to cite the demise of Lee Falk's Boston Summer Theatre, which until three years ago you co-produced with him in New England Mutual Hall. Now the fact is that Mr. Falk, having lost money in recent summers, had already decided to forego a 1959 season and to sell all his theatrical property before the new MeBAC theatre was given the go-ahead...
...years that Miss McKenna has been seen in this country, she has done a superlative job in two recent plays, Enid Bagnold's The Chalk Garden and Morton Wishengrad's The Rope Dancers. But she has also recreated an impressive number of classic roles. She has given us a warm Sister Juana and a wonderful Maggie Wylie; and an unmatchably transcendent Saint Joan, which may serve as a yardstick for all future performances by an actress. In Shakespeare, she has now offered us a memorable Hamlet (yes, the title role!), Viola, and Lady Macbeth. And I have not cited...
Coming after the U.S.'s Captive Nations Week proclamation and the coolish reception that Khrushchev got on his recent visit to Poland, a warm Polish welcome for Nixon would be a notable wind-up for a most notable cold-war journey...
...such standard items as The Barber of Seville, The Marriage of Figaro, and The Force of Destiny (monaural and stereophonic) in impressive boxes with brass fittings and color-dripping illustrations. Another and more daring approach is to look for obscure, rarely or never-recorded works. Part of the recent growth of operatic exotica is London's Giuditta (three mono and stereo), the principal serious effort of Vienna's operetta master, Franz Lehar, who had lifelong pretensions to grand opera. First produced at the Vienna State Opera in 1934 when Lehar was 63, the work has to do with...
...does Mizoguchi hate the Golden Temple? Novelist Mishima answers in many ways, none completely successful. The gist of it is that Japan, Author Mishima implies, has been hemmed in to the point of impotence by the worship of ancestors, ritual and beauty. In this sense, Temple belongs to recent, agonizing reason-why literature, in which Japanese writers are still covertly psychoanalyzing the loss of World War II. Mizoguchi is both poor and common, and Temple champions a kind of cultural revolt of the masses, with its rejection of all that is feudal and aristocratic. There...