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Middle of the Night. Fredric March as an aging widower who becomes involved with his 24-year-old receptionist (Kim Novak), in Playwright Paddy (Marty) Chayefsky's most, sustained and mature work to date...

Author: /time Magazine | Title: THEATER: On Broadway, Jul. 27, 1959 | 7/27/1959 | See Source »

...women, he finds himself a widower. What to do with the rest of his life? At first he simply works, works, works. After a while he starts spending time at his married daughter's house, playing with the baby. Then one day his pretty, 24-year-old receptionist (Kim Novak), a nice, mixed-up kid whose marriage has recently gone on the rocks, takes a fit of hysterics, and the boss decides to give her a little fatherly attention...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 29, 1959 | 6/29/1959 | See Source »

...waxing bee. Few days later, Washington newsmen and TV crews crammed into Proxmire's office to watch a high-speed floor-waxing machine tow the two Senators around the room like water skiers. It all proved, claimed Proxmire breathlessly, that the floors were really nonslip (although his receptionist takes no chances, keeps a pair of sneakers in her desk drawer...

Author: /time Magazine | Title: THE CONGRESS: The Great White Goof | 5/25/1959 | See Source »

...year Rodgers and Hammerstein wrote South Pacific) Pat took off for Mills College near San Francisco. It seemed a safe distance from Cressy. She worked as a typist, did odd jobs at school, was a receptionist in a Chinese restaurant. She bounced on to Modesto Junior College, then to San Francisco City College and to San José State. She studied voice, biology, philosophy, art, art history, woodworking. During her two years at San José State she sang in a small nightclub on weekends, and she began to develop a style. Says Cartoonist Walt ("Pogo") Kelly...

Author: /time Magazine | Title: BROADWAY: The Girls on Grant Avenue | 12/22/1958 | See Source »

...Joseph's Mercy Hospital at Pontiac, Mich., a receptionist glanced up one night last week to see "a zombie" stagger hunched and stiff-legged through the main door. The man wore shoes, socks, and a checked cotton bathrobe; his body was charred, his eyes swollen, his mouth puffy. "Can you get me to the emergency room?" he groaned. As doctors gave him blood and plasma but no hope, the man insisted he was "John Doe from Washington," would say no more...

Author: /time Magazine | Title: LABOR: Torch Without Song | 8/18/1958 | See Source »

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