Word: record
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Dates: during 1950-1959
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Candidate of Stability. López Mateos' record of efficiency in office made him a strong contender for the presidency in 1958. In choosing him, Ruiz Cortines followed the tradition that lets each President pick the government party's candidate, provided that he is not objectionable to any ex-President. A whoop-it-up campaign this year introduced López Mateos to the country, and as P.R.I.'s candidate he was easily elected over a brash and helpless opponent...
...Conny's wake, a flock of single-named moppets have assaulted the recording studios. Among them: twelve-year-old Gabriele (Clonisch), whose Schokoladeneis (Chocolate Ice Cream) has already sold 250,000 copies, although she started singing into her businessman-father's dictating machine only a few months ago; and nine-year-old Brigitte (Reisberger), who has a big hit called Lieber Pappi, Mach Mai Sonntag (Dear Daddy, Take a Day Off). Recording firms these days will audition any subadolescent, and with good reason: teen-agers account for the bulk of German record buying. Mourns Munich Disk Jockey Werner...
...often played truant, spent her days as a Harlem prostitute. The board voted to investigate the affair, including, as Adams said pointedly, "the manner in which Allen got into the school -whether it involved a misstatement under oath." (Allen admitted in his series that he used a false employment record...
...also turned out dozens of show albums for the major record companies. In addition, he has built a fine reputation as an interpreter of baroque music, which he claims to understand intuitively because of his experience in "living theater." Currently, he is planning an operetta based on Chekhov's The Boor, recording albums of Broadway overtures (for Columbia), Broadway ballets (for RCA Victor), writing an autobiographical survey of the U.S. musical scene. His breathless commuting between composing and conducting, Broadway and highbrow, has earned him, in some quarters, the affectionate handle of "the Poor Man's Lenny Bernstein...
With an expressive off-Broadway arena-staging by José Quintero, The Quare Fellow is sprawlingly uncertain in design and graphically unflinching in detail. As an in-the-dock record, with capital punishment on trial, it avoids being strident but is only fitfully trenchant. Where it comes off well is as a tragedy of manners-of convicts outraged that a condemned man has not saved his cigarette butts, betting their Sunday bacon on whether the quare fellow will hang, greedily rushing the guard carrying the quare fellow's last dinner, fighting in the quare fellow's grave over...