Word: record
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...scale and scope of the Lhasa protests, it has been equally unready to change its policies on the human-rights front, despite knowing almost from the day the Games were awarded to Beijing in 2001 that hosting the Olympics would shine an increasingly bright spotlight on its dismal rights record. In fact, rights advocates inside and outside China say a string of recent convictions and the imprisoning of activists all over the country are just the latest in a yearlong, wide-ranging crackdown designed to stifle even the slightest sign of dissent ahead of the Games. Even China's huge...
...Zealand's eight political parties support the deal, but polls show that fewer than half of voters do. Critics fear a flood of cheap goods and farm produce, and point to China's poor record on the environment and human rights. United Future party leader Peter Dunne is boycotting the Beijing signing ceremony in protest at China's crackdown in Tibet, but says abandoning the pact would be "a classic case of cutting off your nose to spite your face...
...report from America's Promise Alliance, an education nonprofit. What's worse, the news seemed to surprise low-performing school districts, in part because many have been underestimating their dropout rates: some marked as graduates those who promised to eventually take a GED, while others didn't record dropouts who left before the 12th grade...
Shine a Light, which opens in theaters April 4, is Scorsese's fourth rockumentary. His others: The Last Waltz (1978), a record of the final concert given by The Band; Feel Like Going Home (2003), his affectionate retroglance at old Delta bluesmen; and No Direction Home: Bob Dylan (2005), a compilation of interviews and performances from Dylan's early years. All these films speak to Scorsese's fervent belief in movies as music. You see this in his studio pictures: in the operatic intensity of the acting and the camerawork and in their use of music, from arias...
...Shine a Light isn't the record of a unique event, so it's not on the exalted level of The Last Waltz. But it has its own fascination. The film is less about the music than about the dedication of show-biz troupers--about doing your job, year after year, as if it's your joy. Jagger and Keith Richards, no less than Ethel Merman and Henny Youngman, have the veteran performers' love of pleasing an audience with routines that used to be antic but are now antique. By now, surely, they have performed Satisfaction more times than Judy...