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Within a year, Phillips had sold Presley's contract to RCA Victor for $25,000. He says he never regretted the decision, never looked back. He soon had another rockabilly prodigy, Carl Perkins, whose "Blue Suede Shoes" kicked some serious chart butt: #1 country & western, #2 pop and rhythm 'n...
Good mo'nin', judge, and your jury too I've got a few things I'd like to say to you: I'm gonna murder my baby Yes, I'm gonna murder my baby Yes, I'm gonna murder my baby (yeah, I'm tellin' the truth now) 'Cause she...
The two groups are integrated on a couple of Sun anthologies: the newly issued two-CD set "Sun Records: The 50th Anniversary Collection" (from BMG Heritage); and the older, fuller three-CD opus, "The Sun Record Collection" (on the ever-dependable Rhino label). The BMG set has some strange omissions...
Black and white did mingle in the studio, not physically but in their overlapping styles and choice of material. Turner's piano work, backing Jackie Brenston on Phillips's first hit, "Rocket '88'," has some of the boogie-woogie triplets, rolling rhythm down low and bang-it-till-it-breaks...
Come on over, baby, we got a chicken in the barn/ Whose barn? What barn? My barn! Come on over, baby, really got the bull by the horn We ain't fakin', whole lotta shakin' goin' on. -recorded by Jerry Lee Lewis, February 1957