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...particularly under the presidency of George W. Bush, kept ASEAN at arm's length. One reason was Burma's accession to ASEAN in 1997, which put the U.S. in a tough spot. Washington had been tightening sanctions on the Burmese junta because of its dismal human-rights record. By participating in ASEAN confabs, Bush's State Department worried that it would send an overly conciliatory message to the pariah regime...

Author: /time Magazine | Title: Obama in Southeast Asia: Mending Fences in a Key Region | 11/14/2009 | See Source »

...Asaro is also seeking businesses to sponsor her proposed attempt to break the record for the world’s longest handshake. Her friend Christopher D. Frugé ’13 has agreed to be her partner in this endeavor...

Author: By Xi Yu, CONTRIBUTING WRITER | Title: Record Breaker Gets on All Fours for Charity | 11/13/2009 | See Source »

...album goes on. This is surely one of the least melodic albums ever released by a conventional candidate for pop superstardom. With the sole exception of “Quitter”—a light, playful track firmly in the traditions of Nashville—the entire record consists of overwrought, impeccably produced, tuneless and indeed lifeless numbers as utterly forgettable as the “coronation songs” that “American Idol” winners sing in each year’s final show...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

...will know, its judges and producers have always maintained a healthy distaste for melody or, indeed, music in general, preferring to applaud and highlight performances of vocal excess, culminating most often in “glory notes.” It is an aesthetic comprehensively rejected by the record-buying public, if the album sales of most “Idol” winners are any indication. The key to Underwood’s prior success was that she discarded the vocal theatrics prized by Randy Jackson for solid, conventional country music written by hardened Nashville pros like Josh Kear...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

...would be unwise to doubt the ability of someone with Carrie Underwood’s telegenic looks, extraordinary vocal gifts, and successful track record to, one day, become a global pop sensation. But if Underwood truly intends to crossover into the pop mainstream—or at least to an audience consisting of someone other than Randy Jackson—she will need to start by hiring a new set of songwriters. Taylor Swift might be a good start...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

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