Word: recording
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Dates: during 1970-1979
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THERE WAS SOMETHING FUNNY about this one from the start. It began innocently enough; somebody arranged an interview, and somebody else found the promo record. If I had to put my finger on it, it was the record that first gave the show away. Some ingenious record company executive had pasted a sticker to the cellophane wrapping, a sticker graced by Stanley Clarke's evaluation of Diana Hubbard's music. There is only one problem. In his glowing tribute, Clarke failed to note that he too played on this album...
...stood at a Hertz counter in Eugene, Ore., waiting to rent a car. The man who broke Norm Van Brocklin's records at the University of Oregon, who only two days earlier had set a National Football League record by passing for 300-plus yds. in four consecutive games, had to cool his heels while a clerk called the San Diego Chargers to determine if Daniel Francis Fouts was indeed one of their employees...
...Fouts has passed for a league-leading 2,479 yds., and his 63.2% completion percentage puts him first among the N.F.L.'s 28 starting quarterbacks. On his strong arm, the Chargers climbed to a tie with Denver in the American Football Conference's Western Division, with a record of 7 wins and 3 losses, and have a good chance of making the playoffs for the first time since the A.F.L./N.F.L. merger...
...most versatile passer. Throwing to Running Backs Lydell Mitchell and Clarence Williams, he lofts a soft pass over the fingertips of onrushing linemen. He can drill the ball to Tight End Bob Klein through a microscropic seam in the secondary. Wide Receivers John Jefferson, who sat a rookie record last season with 1,001 yds. gained on 56 receptions, and Charlie Joiner benefit from Fouts' good timing and light touch to catch enough passes to rank among the top five receivers in the A.F.C. this year. "He throws a ball that's easy to catch," says Jefferson, giving...
...director does not always record Jimmy's personal adventures with the same grit and humor that he brings to the film's social canvas. The hero has too many stereotypical conflicts with his overly villainous parents and employers; there are too many scenes that try to convey his sensitivity by showing him brooding on the beach at Brighton. The film's final section, a long chain of cathartic crises, is contrived. Still, Phil Daniels, as Jimmy, is both appealingly quirky and a good double for Who Guitarist Pete Townshend. Daniels also has two funny and touching...