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From the start of “Zebra,” the first and arguably best track on the record, the music is dreamlike and catchy, holding the listener under its trance of deep, soothing vocals and repetitive but variant beats. Legrand communicates a sad and disappointed air, while refusing to let her love...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

...album that launched a thousand soundtracks, but “Ga Ga Ga Ga Ga” was, perhaps inadvertently, tailor-made for success in 2007 (The stripped-down rock thing worked great that year, just ask Radiohead). Six albums in, Spoon suddenly had consistent radio play and record sales, and more than just music critics realized that Spoon just might be the best American rock band...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

...Love Forever?,” returning a second later to ask the titular question in a flood of echoes. “Trouble Comes Running” interweaves two tracks that overlap haphazardly at times. Background hums that materialize and suddenly disappear are scattered throughout the record. Though jarring at first, the unusual mixing decision becomes an essential element of “Transference,” where vocal fragments complement lyrical subject matter within confident, upbeat instrumental performance...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

...piano ballad “Goodnight Laura” and the meandering, bass-heavy “Nobody Gets Me But You”—are unmistakably the work of seasoned veterans. At a point in their career where a merely adequate post-breakthrough record would suffice, “Transference” finds Spoon extending their remarkable streak into a third decade. Like each of its five predecessors, it may be their best...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

...that the band’s third effort, “Romance is Boring,” is a bleaker, angrier record is no small statement. The transformation in emotional tone is partially rooted in the lyrics, which retain their visceral but heartfelt quality within an expanding thematic range. Encompassing anorexia, losing parents, meaningless sex, abuse, and loss of faith, as well as more well-trodden romantic territory, the topics at hand are far from cheerful. More than anything, though, the tonal shift comes down to the band further shedding their twee image for a noise-influenced, experimental, nearly anarchic...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Los Campesinos! | 2/2/2010 | See Source »

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