Word: recruiters
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Dates: during 1950-1959
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Nowadays few people except Wife Vivienne would dare talk so impiously to Hub Robinson. At 54 he bosses the flashiest, costliest series in television: the Ford-sponsored NBC lineup of 39 weekly go-minute spectaculars. With a budget of $15 million, Hub Robinson can recruit some of the brightest players and producers-as he proved last week in his third Ford special, Henry James's eerie classic...
...also talked Alec Guinness into making his U.S. TV bow (scheduled Nov. 10) by captivating him with a comic short story about a Machiavellian bank clerk. For forthcoming Ford specials, Robinson has also hooked Jack Benny, George Burns, Marian Anderson, Leonard Bernstein, Jimmy Stewart, Ethel Merman. Coos one Robinson recruit, Roz Russell (whose coldness to TV he thawed by offering her a thumping $100,000 for the first Ford show): "Hubbell is the Eisenhower of the TV world, because he can assemble a team and delegate authority...
Even so, Coach Schwartzwalder took his lumps until the early '50s, when independent Syracuse (enrollment: 7,000) decided to go big time. Counting on the New York Thruway to bring new fans to the stadium, Syracuse gave Schwartzwalder authority and money to recruit some shock troops ("If we can get 'em, we can coach 'em"). In 1953 a Negro halfback named Jimmy Brown showed up unannounced, went on to become the finest running back in the game (he now leads the pros as a Cleveland Brown), and in no time Schwartzwalder and Syracuse were rising toward...
...Benjamin Britten and Leos Janacek.* The rest of the left-hand repertory is pretty much what the trade calls "knitting music." But a platoon of composers in Holland last week was hard at work on some new and surprisingly engaging left-hand pieces to be played by a recent recruit to the field: 45-year-old Dutch Pianist Cor de Groot...
...next step ws to recruit a suitable group of workshop-leaders. Several Faculty-members volunteered at once; the others were sought out individually, and asked if they would like to participate. The Committee of Advanced Standing was (and still is) charged with the responsibility of approving all proposals for the individual workshops. Meanwhile, it delegated much of its straight administrative work to the Office of Advanced Standing. And upon this office has now devolved the job of maintaining some semblance of order amidst the welter of different, and sometimes conflicting, ideas that surround the Freshman Program Byron R. Stookey...