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Younger women notables include Naomi Savage and Judy Deter Savage's "St. Brigid Passion Week becomes a spiral of hide and seek with a black robed, virgin-like bust appearing in whole and in cut sections against greyish-white rectangular backgrounds that overlap and revolve around the center. She takes a negative and pasts up a college of this repeated image. For her, this black shape becomes an icon, indestructible, despite efforts to cut it up and change its positions...

Author: By Meredith A. Palmer, | Title: The Art of Baring Humanity | 11/20/1972 | See Source »

...tracery of Fairmount Park's old bridges, the city's best ice cream stand (Bassett's in Reading Terminal Market), and even a giant automobile crusher on Penrose Avenue. To make sense of the city streets, the book traces Philadelphia's growth from the neat rectangular grid of streets studded with parks laid out by Penn himself in 1622, through later annexations of communities like Germantown, to the present sprawling conurbation. It diagrams the changing patterns of ethnic distribution. The old Irish, Russian and German neighborhoods have largely dispersed; only the Italians in south Philadelphia...

Author: /time Magazine | Title: Environment: Understanding Cities | 10/16/1972 | See Source »

...Cliffe sailors race in 12-foot dinghies over rectangular courses which are normally about one mile in length...

Author: By David G. Hoffman, | Title: Radcliffe Sailing Team Opens Season | 9/26/1972 | See Source »

...qualifying trials already have produced astounding times. Of the first dozen drivers to make the field, eleven broke last year's record qualifying speed of 178.696 miles an hour. Bobby Unser's average for four laps of the 21-mile rectangular speedway was a phenomenal 195.940. That average was achieved in one of the sleekest new cars, an Eagle-Offenhauser designed by Los Angeleno Roman Slobodynskyj. Besides wings, the vehicle has air scoops streamlined into its sides, thus reducing the drag caused by nose scoops...

Author: /time Magazine | Title: Sport: Winging It at Indy | 5/29/1972 | See Source »

...People are always trying to tell me I'm a color painter. In fact my work is just about painting." Nevertheless, color is the overriding content and subject of Zakanych's work. He manipulates it with stunning precision, by dividing the canvas with a grid of close rectangular intervals and then producing tiny, almost imperceptible grades of hue and intensity from one block to the next. The result is "a constant movement across the painting, and up and down. There isn't one color that remains stable; I don't want viewers to be able...

Author: /time Magazine | Title: Art: Three Bold Newcomers | 3/13/1972 | See Source »

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