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Much of the barbed wire is gone, and the ugly grey cinder blocks are rapidly giving way to trim slabs of concrete. Just a few feet away, workmen are busily dismantling the forbidding old wooden watchtowers and replacing them with neat rectangular structures that look more like mountaintop tourist lookouts than machine-gun nests. At first glance, the scene is strangely placid; Western visitors can hardly believe that they are at the edge of Berlin's infamous Wall...

Author: /time Magazine | Title: Berlin: Design for a Nightmare | 12/8/1967 | See Source »

Well-padded, playing a role Orson Welles would do without salary, Daniel Seltzer ambles grotesquely around the wooden rectangular stage on which most of Prince Erieis performed. He is Jim Fisk, fat man who rejected the potentially bleak future indicated by his past, becoming instead one of the richest, most unscrupulous Americans in the latter part of the 19th Century. Fisk and partner Jay Gould began with the Erie railroad and, at the height of their spectacular careers, virtually cornered and manipulated the country's private gold reserve...

Author: By Tim Hunter, | Title: Prince Erie | 12/8/1967 | See Source »

Todd Lee's set must have been conceived by a computer. Its pieces fit together perfectly at several different angles, to produce several different, all satisfactory, shipboard abstractions. The rectangular frames successively form bunks, jail cells, and simple platforms. The computer also had a good color sense in plotting an orange-on-black effect that neatly relates one scene to the next. The scene changes are slow, but the masking music makes them happily bearable...

Author: By James Lardner, | Title: Cole Porter's 'Anything Goes' | 12/1/1967 | See Source »

...Habana Libre looks like any other hotel. Its architecture is an unimaginative rectangular slab; the decor of its lobby is unmistakably the pesudo-modernism of the mid-fifties. Some things will probably never change, like the daiquiris, so cold they make your head ache if you sip them too fast...

Author: By Tom Reston, | Title: HABANA 1967 | 11/17/1967 | See Source »

...plastics men is Neal Small, 30, who believes that old-fashioned visible furniture is too "weighty, massive and oppressive-like having a dead whale in the living room." Small's answer is cubistic hard plastic chairs and tables, each transparent unit molded as one piece. His small rectangular tables have a surface only 13 in. by 16 in., but four of the units can be clustered to make a square coffee table or lined up in a row to make a long sideboard...

Author: /time Magazine | Title: Design: Pop Goes the Plastic | 10/27/1967 | See Source »

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