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...unexpectedly, Stüssy for years has portrayed animals and men caught in a box, naked muscular forms that are sometimes bowed in resignation or despair, sometimes tensely flexed against their prison. In one series of paintings, the same rectangular form becomes the basis for a crouching, partially dissected Man Posing as an Animal, or a twisted animal in Resting Beast, or agonized Homo sapiens in Self-Wrestling. Following a visit last year to Chile, with which U.C.L.A. has a reciprocal art exchange program, Stüssy began painting women, a fact his sculptress wife, Kim, partly attributes...

Author: /time Magazine | Title: Painting: Man in a Box | 10/6/1967 | See Source »

...visitors so far-the viewer is the ultimate target of a projector. Sometimes film flutters futuristically above or beneath him; sometimes images lurk and flicker all around him, caroming off walls, whirring on blocks and prisms, on hexagons and cruciforms. Sometimes movies are even mounted on a plain old rectangular screen-but everywhere there is film, film, film unreeling...

Author: /time Magazine | Title: Cinema: Magic in Montreal: The Films of Expo | 7/7/1967 | See Source »

...World Cup. What's more, soccer should be a natural for TV. Baseball fields are all the wrong shape, and the action is too slow; a good pro football quarterback can hide the ball from the TV camera as well as from his opponents. Soccer's rectangular field is perfect for the TV screen, the action is continuous (except, of course, for commercial breaks), the fat, 27-in. ball is easy to follow, and the rules are few and uncomplicated...

Author: /time Magazine | Title: Soccer: Hello, Emment! Hello, Horst! | 4/14/1967 | See Source »

...stage in the Old Library is a pleasant piece of invention: a rectangular space with risers to the left for the Duke's palace and risers to the right for Olivia's habitation. Unfortunately the cast is forever surging back and forth across mid-stage, drawing our attention from one house to the other with no purpose...

Author: By Charles F. Sabel, | Title: Twelfth Night | 3/13/1967 | See Source »

...Lower Miocene-and came across the familiar Sivapithecus and Proconsul remains. Applying 14 standard tests of the shape and size of jawbones and teeth to these long-ignored bone fragments, Leakey concluded that their characteristics were definitely more manlike than apelike, and reclassified them as Kenyapithecus africanus. Unlike the rectangular, one-rooted molars of apelike creatures, for example, the Kenyapithecus' molars were triangular and had two roots. Its incisors were in line with its canines; ape incisors protrude in front of the canines. Kenyapithecus' chin projected slightly to the front of its teeth; an ape's chin...

Author: /time Magazine | Title: Anthropology: Searching for the Common Link | 2/3/1967 | See Source »

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