Search Details

Word: redford (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Astor-Robert Redford and Camilla Sparv in Downhill Racer. 176 Tremont St., at Boylston...

Author: NO WRITER ATTRIBUTED | Title: Things You May Be Forced To Do If You're All Alone This Weekend | 12/19/1969 | See Source »

...only characters in this despairing vision who are allowed even a trace of self are a Radcliffe-educated Indian agent (Susan Clark) and the sheriff (Robert Redford) who heads the posse that hunts Willie. But the agent's social concern is only a manifestation of her neuroticism, and the sheriff's primitive feelings of empathy with the fleeing Indian are overcome by ingrained habit...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

Polonsky's talents were marked and sharpened by the rhetoric of Depression politics. The result is that, on occasion, his script blows its otherwise immaculate cool-as when a poolroom tough delivers one of those drunken "I'll-tell-you-what-democracy-is" speeches. Although Redford and Clark are both excellent in their roles, Katharine Ross offers a major challenge to credibility as Willie's Indian girl, called Lola in the film. She looks little like an Indian and is obviously too refined to act like...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

...Sundance in Butch Cassidy and the Sundance Kid, Redford plays a cool, sardonic renegade with a deliberate and precise sense of irony. As an eager young skier in Downhill Racer, he smoothly combines naivete and monomaniacal ambition. But his most impressive role is to come. In the new film Tell Them Willie Boy Is Here!, he appears as a cold-blooded sheriff and gives his most powerfully sustained performance so far. This is plainly the first of what should be many Robert Redford vintage years...

Author: /time Magazine | Title: Show Business: When Things Come Together | 12/12/1969 | See Source »

...face it," he confides with the sort of intensity that adds volumes to every sentence. "If you want to get anything done in Hollywood, you've got to fight. It's just one big battle out there, and I don't need that." If Redford can virtually write his own ticket now, it was a privilege won only after long wrangles with agents and legal battles over suitable roles with studios. "I work it this way," he says. "If I don't like...

Author: /time Magazine | Title: Show Business: When Things Come Together | 12/12/1969 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next