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Word: redford (lookup in dictionary) (lookup stats)
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...Jackal. Fred Zinneman directs a thriller about the attempted assassination of de Gaulle by a hireling of the OAS (with Edward Fox looking like the Englishman's version of Robert Redford). The movie teases you, catapulting from one possible peak finish to another, and ends like a snowball that has suddenly mushroomed into an abominable snowman. Pi Alley...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/10/1973 | See Source »

...Jackal. Fred Zinneman directs a thriller about the attempted assassination of de Gualle by a hireling of the OAS (with Edward Fox looking like the Englishman's version of Robert Redford). The movie teases you, catapulting from one possible peak finish to another, and ends like a snowball that has suddenly mushroomed into an abominable snowman. Pi Alley...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/6/1973 | See Source »

...Jackal. Fred Zinneman directs a thriller about the attempted assassination of de Gualle by a hireling of the OAS (with Edward Fox looking like the Englishman's version of Robert Redford). The movie teases you, catapulting from one possible peak finish to another, and ends like a snowball that has suddenly mushroomed into an abominable snowman. Pi Alley...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/2/1973 | See Source »

Charles Percy, Robert Redford, John Connolly, Bernardo Bertolucci: What to call them? "Beautiful people" is passé. "Jet set" was wrong from the start. "Cat pack" was a try, but no one could figure out what the password "cat-pack kiss" was, or who exactly was doing it and how. Now, for what it's worth, W, Women's Wear Daily's biweekly supplement, offers "Juicy People." W solemnly reports two ways that JPs can be recognized: "Watch a JP cut into a steak. He always makes the first cut right in the center...

Author: /time Magazine | Title: People, Feb. 26, 1973 | 2/26/1973 | See Source »

...various aspects as vividly as any are Balladeer Carole King, Hard-Rocker Ian Anderson, Pop-Jazz Songstress Roberta Flack and Fey Troubadour Harry Nilsson. Not exactly household names, they nevertheless enjoy more status with the young than a Newman or a Taylor. They are more lavishly remunerated than, say, Redford or Mac-Graw. Indeed, everything about the music industry of the '70s is reminiscent of Hollywood in the '30s and '40s: moguls, superstars and promoters operating in a world charged with sex and power and conspiring to sell slick, tuneful packages to a voracious public...

Author: /time Magazine | Title: Pop Records: Moguls, Money & Monsters | 2/12/1973 | See Source »

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