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...Them Willie Boy is Here. Two American westerns, one a graphic epic on violence by a young director (Sam Peckinpaugh), the other a psychological exploration of racial genocide by an old and, for twenty years, blacklisted filmmaker (Abraham Polonsky). Lucien Ballard's color photography in the former and Robert Redford's performance in the latter are added treats...

Author: By Frank Rich, | Title: The Moviegoer Ten Best Films of 1969 | 1/9/1970 | See Source »

Astor-Robert Redford and Camilla Sparv in Downhill Racer. 176 Tremont St., at Boylston...

Author: NO WRITER ATTRIBUTED | Title: Things You May Be Forced To Do If You're All Alone This Weekend | 12/19/1969 | See Source »

...only characters in this despairing vision who are allowed even a trace of self are a Radcliffe-educated Indian agent (Susan Clark) and the sheriff (Robert Redford) who heads the posse that hunts Willie. But the agent's social concern is only a manifestation of her neuroticism, and the sheriff's primitive feelings of empathy with the fleeing Indian are overcome by ingrained habit...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

Polonsky's talents were marked and sharpened by the rhetoric of Depression politics. The result is that, on occasion, his script blows its otherwise immaculate cool-as when a poolroom tough delivers one of those drunken "I'll-tell-you-what-democracy-is" speeches. Although Redford and Clark are both excellent in their roles, Katharine Ross offers a major challenge to credibility as Willie's Indian girl, called Lola in the film. She looks little like an Indian and is obviously too refined to act like...

Author: /time Magazine | Title: Cinema: The Exiles | 12/19/1969 | See Source »

...face it," he confides with the sort of intensity that adds volumes to every sentence. "If you want to get anything done in Hollywood, you've got to fight. It's just one big battle out there, and I don't need that." If Redford can virtually write his own ticket now, it was a privilege won only after long wrangles with agents and legal battles over suitable roles with studios. "I work it this way," he says. "If I don't like...

Author: /time Magazine | Title: Show Business: When Things Come Together | 12/12/1969 | See Source »

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